WHITE PLAINS CITIZENETREPORTER SETS RECORD VISITS FOR YEAR 7,017,658 VISITS! 2,098,003 VISITORS MADE 6 VISITS A DAY EVERY DAY. 63,330 UNIQUE VISITORS MADE 133,730 VISITS IN DECEMBER. WPCNR AVERAGED 17,284 VISITORS A WEEK, VISITING 31,270 TIMES.

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WESTCHESTER THEATRE DEBUT: THE BIG BEAT BLASTS INTO CHAPPAQUA PERFORMING ARTS CENTER.

THE ROCK JAM SESSION THAT NEVER ENDS

WPCNR STAGE DOOR. THIRD ROW CENTER Theatrical Review By John F. Bailey. May 8, 2022:

It’s rock and roll raw.

Their guitars twang.

They move.

They sing the songs that live and make you feel alive and you are forever young.

You move—

Involuntarily, you tap your foot to the throb of the drums in your blood – the big beat really has its hold on you.

The immortals are back rasping, howling, growling raw excitement that gets to you like no other, sassed up with the zing, zip, rip rock of gladiator guitars!

The ethereal experience starts right from the first da da da da da da da of Blue Suede Shoes!

Nathan Burke’s Carl Perkins brings back one night that lives forever. The man who introduced rock and roll records, Sam Phillips, the mn who knew hits when he heard one recognized the infusion of joy in the rock and roll sound and rocked and rolled America forever by recording Elvis Presley on his studio in a chicken coop in Memphis

The original Fab Four get the “aging-up” jump, twist and jive in the red carpet posh-seated jury of the Chappaqua Performing Arts Center. The young get that itchy, twitchy feelin’ wondering what’s this music all about that makes me want to sing and shout.

The greatest hits from the Million Dollar Quartet of sullen, chilling cool  and unleashed machismo of Jacob Barton as Elvis.

Trevor Dorner’s Arkansas drawlin’ piano pounding makes the 88 black and white keys shake with an over the top Jerry Lee Lewis.

 Mike Potter’s slow-talkin deep haunting Johnny Cash the Man in Black

Nathan Burke’s Carl Perkins, the man in the Blue Suede Shoes, forever doomed to backup when Elvis stole his hit, but in this show he is the twanging riffmaster of the electric guitar. Wait until you hear his fingers and pick run out a flawless up-and-down-in-and-out master riffing of the greatest guitar solo of all-time on Houndog.

Million Dollar Quartet, The Gershwin Entertainment Production  brought in by Bill Stutler, former Co-Producer of Westchester Broadway Theatre with Bob Funking the last 46 years, is tuning up for its national tour  this summer. 

MDQ gives the new Westchester Theatre a charismatic start bringing back and introducing the professional quality productions Westchester audiences have loved on 46 years . No dinner, just come to hear the music that’s all.

MDQ is not just a juke box musical, it looks back how Sam Phillips of Sun Records  took the black sound of rhythm and blues and brought it to the repressed 1950s. Phillips freed a generation that changed the country and the world through its music releasing a young America to be themselves, a music that responded to their feelings, concerns, and anxieties and wrote about them perfectly.

This is the inside baseball of the recording business. It recreates a typical recording session where rivals and competitors try and one-up each other with riffs and get into playing different takes on their songs, styles and riffs while Mr. Phillips, played by Sean Casey Flanagan, is hilariously bombastic and promoty as the Sun Records operator. The audience is given an appreciation of the big business rock and roll records were about to become as old time recording giants vied to sign up Johnny Cash,  after signing away Elvis Presley away from  Sun Records.

The Phillips-released recording of Mystery Train first played on WERE in Cleveland in 1955 by the deejay Bob Randle, was Elvis Presley’s first hit that caused a sensation among the teenage girls of Cleveland when Randle played it.

You watch the session unfold, punctuated by the rivalries and the respect the four soon-to-be-legends had for each other’s talents.   

First to come in is Jerry Lee Lewis who wants Mr. Phillips who’s looking for piano backup, to sign him to a contract, joined by  Carl Perkins, who resents when Jerry tries to play piano to his Blue Suede Shoes session.

MDQ is a Tony Award Winner on Broadway. Its flawless telling and showing the interpersonal squabbles erupting and subsiding as song after song is performed, 23 in all, you get the magic. You realize the bond that these musical competitors who have made it, Cash and Presley and two who have not—show the anxieties of the entertainment business, put the pull it has on the performer. They love it.

The one thing that unites all four is they love to perform and play for the people. This wonderful bond of artist and audience is given realife credence and explains why artists are loved by their audiences.

They perform for you.

The mannerisms of Elvis Presley’s girl friend of the moment demo the fascination young women had for Elvis. Taylor Kraft as Dyanne is surly, tough, streetwise and has fondness “The King.”

Kraft credibly shows the fascination for the music she is hearing in her body language. His girl of the moment played by Taylor Kraft, an expert in the role, having played in MDQ productions for six years and now is joining her first national tour. She is not a spare part, but subtlely shows what made rock and roll music from these four legends the idle of teenage girls and women, so much that boys and men back in the day wanted to be like them. Dress like them, style their hair in the pompadour.

The actors perform with the spirits of these performers apparently taken over their actors’ bodies. The actors are all veterans in the roles—a hallmark of Westchester Broadway Theatre tradition now born again at Chappaqua Performing Arts Center.

The effect of the show for the audience is that of being guests in a recording studio “behind the glass” watching the very private chemistry between artists in a spectacle that has taken them over and changed their lives forever. Because it did. The audience in Saturday’s matinee were transported as the hits just kept on coming.

Jerry Lee’s Trevor Dorner sounded and played the old broken down piano like Jerry Lee. He captured Mr. Lewis raw  sexual energy, ran the keys, and yes, played the piano with his feet.

Mike Potter, inhabited by the spirit of Johnny Cash sounded uncannily like Johnny, looked like him, he sounded spot-on on Folsom Prison Blues, Walk the Line, Sixteen Tons and of course, I Walk The Line. He even says, “Hello, I’m Johnny Cash,” just so right—and looks like him too, even to folding a 100 dollar bill under his guitar strings.

The show plays through May 22. 

Bill Stutler, the impresario of Westchester Theatre  greeted the matinee crowd at the doors of the theater.

When the emcee welcomed folks on stage, an old WBT tradition, mentioning Westchester Broadway,  most of the audience clapped in appreciation. Waiting for the original hits and personalities who made them In a masterful guitar solo, startling drums by the tireless master of the BEAT, Mike Lucchetti and the man the big bass that throbbed, bobbed and laid tireless driving rhythm on and on, the full 2 hours nonstop hits, quips, stories, flares and beat-enthused energy, always impatient for the next great song.

They did not want to stop.

They played encores—Great Balls of Fire, Hound Dog, Ghost Riders in the Sky (right on by Mr. Potter’s Johnny Cash echoing voice) See You Later Alligator, and Whole Lotta Shakin’ Going On,  and invited the audience to dance and it went on and on.

Oh what a night!

Mom will love it if she used to rock and roll.

Contact the Westchester Theatre at (866) 806-5777 or go online for tickets plays through May 22 at www.TheWestchesterTheatre.com.

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WPCNR VIEW FROM THE UPPER DECK. By “Bull Allen” . May 8, 2022:

It was 65 years ago when it happened.

It can happen to any of us any time in our lives.

I heard it happen to Herb Score.

On the radio with Mel Allen doing the broadcast from Cleveland on WINS 1010.

It was the first inning at Municipal Stadium in Cleveland and the best lefthander in the American League at the time, 1955 Rookie of the Year,1956 strikeout leader, 20 game winner was on the mound for “The Tribe.”

There were 18,000 fans in the old double-decked Wigwam on the lake built the year Herb Score was born.

Tom Sturdivant was pitching for the Yankees, another rookie phenom.

The crowd came to see a pitching duel.

What they saw they would never forget.

 “The Tribe,” for years a class contending team in the American League,  perennial challengers to the 1950s New York Yankees was  finally poised to overtake the dominance of the Bronx Bombers, the 1956 World Champions.

The Tribe had Score and Lemon and Wynn and Garcia their four starters, and power hitter Rocky Colavito, Bobby Avila, Roger Maris, Gene Woodling, Al Smith, Vic Wertz in the lineup. Score was the new Tribe, the hope of the fans.

Score in his big long stride over-the-top  southpaw delivery was a strikeout King at only 23 years of age.

He retired the first batter, Hank Bauer in the Lake Erie twilight

Then Gil McDougald,  Yankee shortstop, second batter stood in the batter’s box.

I was 12 years old, and Mel Allen was on the play-by-play, describing in his tense mellow style that sounded like this  what  I remember he said or would have voiced,

“Score into the windup down comes the left arm and the pitch….McDougald swings a line drive a bullet…it hits Score ….bounds to Smith at third. Score is down, he’s hurt. McDougald is stopped, walking to the mound Smith  at third throws to first for the out Score is curled up motionless….(the crowd was hushed in silence).

I turned the radio off. I was in tears.

I think of this sobering incident every year on May 7. It happened 65 years ago tonight.

Herb Score the strikeout leader in his rookie year 1955 with 245 strikeouts and 16 win, 10 losses 11 complete games in his first year in the real big leagues. Amazing debut. Talk of the league. He filled Muncipal Stadium (Cleveland Stadium) every time he pitched.

Herb Score held the Major league record for most strikeouts by a rookie pitcher, 245 before Dwight Gooden of the Mets broke it 1984 with 276 (at the age of 19).

Then in 1956, Score the strickeout leader struck out more than 245, with 263 K’s in his second season, 1956, winning 20 games and losing nine, with Hall of Fame stuff. Big Train fastball and sweeping curve.

At 6 foot 2 inches and 185 pounds he was the second of the bigger, stronger pitchers (the other was Big Newk, Don Newcombe) to come in the 1960s when pitching by taller, “power” pitchers Don Drysdale, Sandy Koufax, Denny McLain, Frank Lary, Bob Gibson, Steve Carlton, began to dominate the hitters with dominating stuff, and quite frankly, intimidation. Finesse pitchers like Whitey Ford and Billy Pierce began to become less effective and pitched lesser innings giving way to the birth of the closer. But that is another story.

They did not televise Yankee roadgames in those days. There is  no televised replay of this incident that I could locate to show this incident.

Score was never quite the same, but Mr. Score pitched for the Indians through 1959, but was not as effective. Herb said it was not the eye-injury that affected his pitching, but rather his arm experienced troubles. He said, “I just wasn’t pitching as well.”

Score was a lesson for us fans of the game at the time.

Whenever he pitched in subsequent years, and I saw his name as starting pitcher, I always checked on the box score of his game. I admired him trying to comeback. I rooted for him. Every fan did. Like we rooted for Tony Conigliaro struck in the eye by a pitch.

When he did retire just six years later, he became an Indians broadcaster for decades. The Voice of the Indians.

The fans loved Herb Score. He never complained or looked back and cursed his luck. He said you cannot look back.

He represents more than any other ballplayer how fleeting is success, how fragile happiness is, how a misstep, an accident, a false word, a loss of temper, a loss of wariness and being careful or doing something stupid, can turn around your life, your career, in an instant.

Waite Hoyt the old Yankee pitcher of the 1920s said “I’d rather be lucky than good.”

Score was a great pitcher, a natural.

But he was not lucky.

He was not bitter.

He had courage.

An athlete to remember.

He was from Rosedale, Queens. He was no stranger to illness and misfortune when he was a child. He made to the major leagues despite a serious auto accident injuring his legs, and overcoming illnesses. A real New Yorker, son of a New York City policeman.

The legacy of Herb Score is to keep looking to the future.

Forget about the past and keep moving on as best you can.

Even when a line drive shatters your dreams, you can still make them come true and do the best with what you have.

You’ve still got it.

The heart.

Your heart is always with you.

It takes heart.

I remember Cleveland Stadium and Herb Score

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UPDATED 4:45 P.M. EDT 5/6/22

THE 5 BOROUGHS OF NEW YORK CITY DOUBLED THE NUMBER OF NEW POSITIVE COVID CASES CITYWIDE YESTERDAY MAY 5 IN ONE DAY WEDNESDAY TO THURSDAY– REPORTING 7,264 NEW PERSONS TESTING POSITIVE THURSDAY COMPARED TO 3,476 ON WEDNESDAY. THE 5 BOROUGHS HAVE REPORTED 18,307 NEW COVID CASES IN 5 DAYS THE FIRST WEEK IN MAY AN AVERAGE OF 3,661 NEW CASES A DAY.

BULLETIN 4:00 EDT 5/6/22

NEW YORK STATE COVID TRACKER REPORTED  557 NEW PERSONS TESTING POSITIVE FOR COVID YESTERDAY MAY 5 IN WESTCHESTER COUNTY

THE SECOND DAY OF OVER 500 NEW POSITIVES, 1,070 NEW PERSONS TESTING POSITIVE IN THE COUNTY BRINGS THE TOTAL FOR THE FIRST 5 DAYS OF THIS WEEK TO 2,053 NEW PERSONS SHOWING POSITIVE, AVERAGING 410 NEWLY INFECTED PERSONS EACH DAY