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WPCNR Two in the Front Row. Theatrical Review by John F. Baiey. October 16, 2010:
You get two leading men in Westchester Broadway Theatre’s new Jekyll & Hyde: Xander Chauncey the charismatic master of science, Dr; Jekyll and his deranged alter-ego, Xander Chauncey’s avenging Edward Hyde who carries out personal vendettas with a spellbinding relish chilling and exciting at the same time.

The Amazing Xander Chauncey as Hyde, (left) an Dr. Jekyll (right). in the new Westchester Theatre production of the 90s Broadway hit.

It brings two, not one unforgettable leading ladies: ethereal, eternal blonde Jennifer Babiak, Jekyll’s steadfast haunting diamond-like voice of divine inspiration,as the spunky, indepdendent Emma Carew (left) and Michelle Dawson, the earthy contralto with attitude, as Lucy,(right) who returns to her role as lady of the evening looking for a new life. Here the two serenade Xander Chauncey with In His Eyes — one of many “incandescent” interludes in Jekyll & Hyde. Photos Courtesy, Westchester Broadway Theatre by John Vecchiola.

The dangeous Hyde (Chauncey) romances Lucy (Michelle Dawson) in London’s Victorian underground.
The electricity between the evenly matched leads delivering pitch-perfect duets and interactions, haunt and tear you up and give a new dynamic to the eternal triangle on stage and complexities of the heart. The earnest company of Jekyll & Hyde deliver one spectacular evening for the theatre-goer There’s lurking menace! Romance! Passion! Mystery delivering a realistic Victorian London in Westchester Broadway Theatre’s staging of the American Original “Operettical” the four-year run phenomenon, Jekyll & Hyde from the 90s at Westchester Broadway Theatre.
J&H enthralls! Captures imagination, unleashes emotions, stirs fears and melts hearts.
The 21st century epitome of leading man, the dashing and dangerous Xander Chauncey commands the stage trying to convince a board of governors of
The seductive Chauncey has every moment and theatre-goers in his power: his towering performance of the dual role of daring doctor Henry Jekyll and evil predator Edward Hyde, recreating the role that Westchester treasure of theatre, Robert Cuccioli, director of this show, first created, playing the Jekyll-Hyde role on Broadway. This reprise of the original 4 year run of the Broad way hit brings forth a searing recreation of Victorian England mystery, repression, and hidden passions. Cuccioli’s direction of J&H is a masterpiece of unrelenting, fluent pace, special effects and a dedicated cast that give it all they have.
The Jekyll & Hyde book gets going, keeps moving and gathers momentum relentlessly with the narrator, Tom Galantich as John Utterson. Galantich’s character relates and guides you the audience through the action foreshadowing the doomed Jekyll’s fate throughout –nevertheless you get behind this impetuous Dr.Jekyll — the undaunted researcher bucking the corrupt establishment, grappling with God.
The establishment is brilliantly satirized by the surging opening spectacular, Façade by a facadishly attired ensemble in a sunshiny

Fading to the Engagement Party for Emma Crew (Ms. Babiak) and Dr. Jekyll, though Dr. Jekyll is late (working as usual), Here Emma demonstares she is a modern woman opting for Dr. Jekyll despite the reservations of her father. Her duet with Mr. Chauncey, Take Me as I Am seals them dramatically as a couple with the audience.
His voice strong and vibrant, her voice precise as a finely cut diamond make this song an emotional déjà vu for romances of your own. She wraps up the scene with a touching fairwell to her father, Sir Danvers, played by James Van Treuren as they duet Letting Go – a song that every father will identify with.

After the engagement party, Dr. Jekyll and his friend go to visit The Red Hat, a seamy
Jekyll is smitten by Lucy. He wants to help this woman obviously trapped in a bad situation. She comes to visit him in his home where he is of course working in his lab on a formula, a mind drug to isolate evil in man.

Here is Chauncey’s blockbuster number: This is the Moment and he delivers it for all it is worth. The sheer compulsion to have the courage to go into the unknown is conveyed in Xander Chauncey’s magnificent, confident, fearless voice. Then he injects the formula!

In a crack and flash of light in the bubbling, foreboding atmosphere of the perfect science laboratory (brilliantly staged by WBT setman Steve Loftus, soundguy Jonathan Hatton and the master of light, Andrew Gmoser – Jekyll transforms into Hyde before our eyes – his “evil twin” emerges!. No tricks. No disappearing. How Mr. Chauncey transforms is a stunning piece of acting ingenuity (created by Cuccioli originally) you have to see. Hyde is Jekyll’s evil side. The side we in public must suppress.
Hyde carries out Jekyll’s resentments against the Board of Governors who refused to back Jekyll’s research in the opening scene. Hyde unleashes a serial killing spree dashingly, elegantly dispensing each member of the Board of Governors as fear of the deranged lunatic stalks
Mr. Chauncey’s Hyde is devastatingly magnificently sexy evil. With glittering eyes, saliva that gleams on his pearly teeth and an amazingly different physique, his disheveled mane – he’ll make any woman shiver with anticipation and a man shrink away if they saw Hyde coming. Chauncey departs his Jekyll voice to sing Alive! at this key moment. As Hyde feels his evil, he exults in how thrilling evil makes him feel. Perhaps no other song makes the high of being bad so intoxicating alluring. You feel Hyde’s pleasure in being bad.
All this in the first act, folks, which closes spectacularly with a conflicting, anxiety producing and beautiful triet, where Utterson as the narrator, Ms.Babiak’s Emma and Mr. Van Treurn deliver a compelling and thoughtful spectacular His Work and Nothing More.
The act closes with Lucy, the doomed lady of the night, visiting Jekyll, hopelessly in love with him singing Sympathy, Tenderness and the haunting Someone Like You. Her rich velvety voice makes you feel this song and the longing in her heart. She is a woman to win!
But wait. There’s even more: another act more spectacular than the first , taking you higher into emotions than the first!
Using flashing of red lights and energetic fast-moving choreographies to backdrop Hyde’s murders of offending academics one by one, the musical surges higher in the madness that grips

The sensual is there: Chauncey as Hyde and Ms. Dawson as Lucy perform the alluring Dangerous Games sensual duet.
The heartbreak is vivid: Ms. Babiak enchants the audience and tears up the romantics singing Once Upon a Dream to Jekyll.
There is Jekyll torn between his two lovers: Ms. Babiak and Ms. Dawson singing to him the ballad, In His Eyes – another highlight worth the admission (just $70 with dinner,too!)
After a warning is delivered to Lucy to leave
Then there is the magnificent second Act tour de force where Xander Chauncey duets with himself : his Jekyll personality fights with his Hyde personality that will hold you spell bound with the conflict between good and evil. This is a must-see and one of the most brilliant stage innovations I have seen in the theatre. Chauncey executes it perfectly, powerfully. The raw, snarling conflict in this scene seizes you with its heady conflict crystallized before you. You cannot take your eyes off this stunning talent of an actor as he morphs before you time after time.
How does it end? A ending that satisfies all. Creates a hero. Makes Jekyll immortal in mind. Sends you out into the night breathless, thoughtful, and more tolerant of your evil side and respectful of your good side.
Cuccioli, the Director has put together a masterpiece again for Westchester Broadway Theatre. It’s a must-see of a show that was the talk of Broadway in the 1990s. Phantomesque! Music that moves you.
Jekyll & Hyde is a wickedly seductive bubbling timeless addicting formula to the spectrum of conflict within: all who see it will be mesmerized by the appeal of fear, power, violence, passion, and desire. The audience is drained emotionally and can only stand compelled to applaud lustily at the close with a performance by all that pulls the audience ever higher and deeper into the maelstrom of malice, idealism and lust with each scene building in power ever stronger right to the stunning dark finale of salvation. You are drained, exhilarated and in touch with feelings you did not know you had.
A night and a show you will always remember.
The actors give it all they got and the audience gets all it can expect..














