Should County/WP Bring in ICE on Illegal Immigration Problem

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WPCNR MR. & MRS. & MS. White Plains Poll. October 29, 2007: With the town of Suffern recently signing an aggreement with the Immigration Customs Enforcement (ICE), to aid Suffern police in identifying repeat felons as illegal aliens, the first avenue of training ICE is expected to furnish the Suffern police, it raises the question whether or not the experise of ICE could be brought to bare on the reported chronic problem of illegal aliens being housed in unsafe conditions, and sending their children to local schools. A press spokesperson for ICE told WPCNR that ICE could supply resources to police departments to investigate illegal housing ownership and chronic housing of illegals if cities wanted ICE help in the matter. The spokespersons also said the agency (ICE) stood by to probe illegal sponsorships of non-citizens who in exchange for housing would be employed in local businesses around the county. ICE recently began prosecution of a Minnesota businessman for engineering a national network of illegal citizens employed in well-known national chains.


Should Westchester County and White Plains bring ICE in on the illegal housing problem, the employment of illegal citizens in its businesses, and in prosecution of alleged gang leadership and membership by illegal residents? What does Mr. and Mrs. and Ms. White Plains think?

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SLAM! So Long A-Rod.

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WPCNR VIEW FROM THE UPPER DECK. By Bull Allen. October 29, 2007: BOOM! (that’s sound of the Yankee Stadium locker room door slamming behind A-Rod at 12:30 A.M. this morning.


What a surprise! Alex Rodriguez wants to be a Yankee so much, he could not even wait 10 days — to start negotiating with other teams. A real Yankee, A-Rod. Quick now — how do the Yankees replace 54 homers and 156 RBIs?


Even before the Saux John Papelbon got the last out of the World Series, the Yankees Brian Cashman had been notified by voice mail by the super agent, Scott Boras  that A-Rod was opting out. I am shocked, simply shocked A-Rod would do that.


`



Home of Champions no more. The Big Ball Park, 1956.


The Sayonara to the Bronx  hit the wires seconds during Saux disposal of the pretender contenders, the Wild Card Colorado Rockies. I LOVE IT when a Wild Card gets shown up big. Is the National League STILL in the Major Leagues? (Couldn’t resist that shot. When are they going to go DH and play with the BIG DOGS)


Don’t forget to turn off the light at Yankee Stadium on your way out, Alex! It will a pleasure not to have to watch your immobility down at third base next year. The Statue at third. I can never remember Alex Rodriguez diving for a ball behind third and he never played the line in the lates. And I will not miss those fumbled barehand pickups on the grass. A Brooks Robinson he was not.


 Derek Jeter could have been All Star at two positions this year, third and short. And, Alex, we’ll always remember your sense of team camraderie and leadership. If the Yankees go after this soldier of fortune with the rest of the pack, they are fools. Now, they are forced to sign Posada, at least.


Tomorrow, it will be interesting to see how new manager, Don Mattingly answers the question, how will you replace A-Rod? I mean it has to be Mattingly now. If I’m Joe Girardi or Tony Pena, I have to be crazy to take the thankless job of presiding over the rapid elevator ride down the standings, the Yankee franchise is about to take and taking the fall for it. Pena might take it. But Tony, you’re too smart to be the fall guy. Don’t do it. Pena won 85 games with the Kansas City Royals. He’s good. Don’t wreck yourself with this use-you-up franchise.


Boras is reported by the Associated Press that A-Rod left because negotiations between the Yankees and Posada, Rivera and Andy Pettitte would not be completed before the 10 days were up. Pretty lame. Boras said A-Rod was afraid the closer, “his catcher” and a major pitcher would not be on the team. Lame. He knew that all year.


If the Mets do not seriously go after Posada or Rivera now they are just as dumb. These two great New York players are available and they can give the Mets what they need. The Bombers have a big problem. The failure of the Yankees to renegoiate Rivera and Posada during the season indicates more than ever the long range plan to sell this team el rapido. It will never be worth more than it is today. Not only that but with A-Rod off the payroll they will be more profitable to any new owner.


New York now has a big hole at third base and needs to either make a trade or sign somebody. But, but, but it is pitching New York needs. Soon they may need catching too. Do you really think Posada wants to catch another 130-140 games next year with a .500 club? Because without the A-Rod threat  the Yankees have no long ball threat in the middle of the lineup.


Well before we go into absolute panic we have to see the free agents available.


But, once again the New York sports writing buffet-grazers have pushed out the Yankee publicity surrounding the A-Rod, Posada, Rivera signing problem without seeing it for what it really is — a totally dumb move by the inept hierarchy now that George Steinmbrenner is no longer apparently directing the team closely.


If you were going to sign Mo and Jorge — you should have done it during the season — or unloaded them to the METS who would have won the pennant with them– and given up some young talent which the Yanks could need. Now, the Yankees will get nothing for them. Mo needs another pitch in my opinion, but can still be effective. Posada…what a catcher for 36 years old — but this again was a walk year.


Haven’t general managers gotten the walk year syndrome in the free agency era? Players go out of their way to have a great year in the walk year of their contracts. I know I would.


Congratulations to the Red Sox and Gansetts all around. Forever Fenway!


 And, unlike the Patriots, the Red Sox don’t cheat. You got the idea the Red Sox were toying with the Yankees during that stretch run.


When you come down to it, baseball is so great it survives the greedy, shallow, fan-insensitive people who run it.


And, I got to tell you if Bud Selig wants to continue ruining the game, just keep televising the series and playoffs at night.


This is sooooooooooo dumb!


When is Bed Selig going to tell the NFL and the Networks that baseball needs to be televised when the kids can see the games — and not in prime time so as to give the football networks exclusive ratings poaching.


The insidious growth of sports like soccer among our youth is not a good sign for baseball. No kids are playing it any more. Pickup games are not seen any more.


Why is that? The games now are too slow. They last too long — mainly due to the curse of Sparky Anderson, (bringing in 4 relievers a game in the mid-70s) and the horrendous invention of the pitch count which has ushered in the 6-inning quality start.


When I was sitting in the upper deck in the old Yankee Stadium, anyone who did not pitch into the 8th was a bum. The 5-inning starter pitched the second game of a doubleheader.


I see 10 and 12 and 14 year old girls who can throw 120 pitches a game, walk nobody, and still have heart and intelligence to throw a pitch with something on it at the end of a game. Besides Mr. Schilling and Mr. Beckett, who does that in the big leagues today?


Major league baseball has to examine the teachings of the great pitching coaches Johnny Sain, and the wisdom of Warren Spahn who threw every day. It is not pitch counts that build an arm, it is building arm strength through throwing. I’m not saying that, Spahnie said that and he won 363 games in the bigs — most of them complete games.


And another thing. Can we go back to the real strike zone: letters to knees and the corners? The small strike zone is causing the walks, making it easier to hit homers and allowing the hitters to bottom feed off pitchers who cannot throw a finesse strike. It’s obvious.


More to come.


And it’s 36 degrees, the softball and baseball seasons are over.


Perhaps a certain well-known, hands-on local developer will buy the Yankees. You never know.

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Westco Gala Gives Chester His Day – Honors Quiet Icon with Kingston Trio Triumph

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WPCNR Center Stage. By John F. Bailey. October 28, 2007 UPDATED WITH NEW PIX: George Grove, Bill Zorn and Rick Dougherty, The Kingston Trio flew into town from out of the past and into future Saturday night to pack the Irvington Town Hall Theatre lifting everybody up with their toe-tapping uplifting classic folk song memories as fresh and meaningful as tomorrow.


The six strings sung, the banjo twanged and plucked and energized,  the three voices celebrating the trio’s 50 years on the road were 20 years old again! And so were we!



Kingston Trio on The MTA at Westco’s Gala Saturday night in a packed Irvington Town Hall.



Chester Day — the Westco Honoree with Bill Zorn, Rick Dougherty and George Grove of America’s Trio — the Kingston Trio at the after-show party at Il Sorriso Ristorante in Irvington.


 The occasion was Westco Productions – the 28 years running local theatre innovators’  — annual Gala  honoring Westchester’s “Quiet Icon,”  Chester Day, the President and Treasurer of one of America’s most inspiring cemetaries, Kensico.  Day, a major supporter of Westco over its 28 years, was described as a model for a successful businessman, and a  man who goes about doing good and giving back, in the words of Westco Productions Board President, Steven Sledzik. He received the annual Westco Crystal Star “The Westie” award from founder Susan Katz.





Steven Sledzik, President of the Board of Directors left, and Susan Katz, right, “First Lady of Westchester Theatre,” founder of Westco Productions listen as Mr. Day accepts his “Westie”


Mr. Day in accepting the award was very self-deprecating, as is his style, and praised Westco Productions performances for ailing children, its Healing Walls program and educational original performances of historical plays in the county’s schools, and community theatre groups for the underprivileged and the disabled. Mr. Day himself is a member of the Westchester County Association and the Westchester Business Council. He is President of the Metropolitan Cemetary Association.


The concerts Westco Productions stages fund its community activities which include Theater for Young Audiences (one hour musical productions), Creative Theatre Workshops “Broadway Babes” and “Magic To Do Players” (for the disabled),  Slater Center Theatre, their Bedside Buddies program and Healing Walls initiative creating hospital atmosphere that heals. To learn more of these activities go to www.westcoproductions.org.  (Coming up this spring are  The New Christy Minstrels, The Lettermen and Felix Cavaliere’s Rascals.)



George Grove, Bill Zorn, Rick Dougherty up close and personal, transform the Irvington Town Hall Theater into a college dorm lounge and everybody joined in.


 The Trio came to party  because they are  Chester Day’s favorite group and the obvious, “can do no wrong” favorite of the expectant crowd of clapping, eager aficionados of the Trio classics – from “Scotch and Soda” to “Tom Dooley” to the always timely, “MTA.”


The Trio, is perhaps the most infectiously good-natured feel-good folk group you can hear live – every thing strings nothing electric. It’s old-fashioned driving masterful guitar and banjo pickin and pluckin from down in the haller.


Incongruously, the group is so spirited and vibrant in their style, harmony and youthful vigor they make songs about hanging, dying  and shipwrecks (The Ruben James  is a stirring tribute), celebrating the sadness and the emotion, weirdly fun.


The trio, tight, smooth, informal, irreverent, respectful of their past,  delivered an easy-going winning two hour show that dusted you off,  polished you up, lifted your spirit and sent you out there believing that a guitar and a song can change the world.


“ Bravo-ed “ back by the audience who seemed to have not felt this good in years,  the trio topped the evening with two encores sounding eerily like the group sounded 50 years ago –their “ Where Have All the Flowers Gone?” first encore resonated with meaning – as relative today to war as it was 50 years ago.  They closed the happy night  with a spirited, as American as Apple Pie version of The Road to Freedom – and that had me, at least ready to pick up a picket sign!



Susie The K Gets the Soiree on the Way and welcomes the throng.


Romping on stage after founder Susan Katz’s introduction, the Trio started strumming in a masterfully casual show, with the picking fingers of America’s “Troubadours Forever” launching into Darling Cory,’ then “You’re gonna Miss Me When I’m Gone.” And on into the night they sang.



The Trio introduced Mr. Day to the packed house. Mr.Dougherty sung an ode to Mr.Day, based on the Beatles’ Yesterday, which began “Chester Day, came to see the Kingston Trio play….” a memorable musical recognition.


 The group, originally founded fifty years ago as a calypso group,delivered Zombie Jamboree and Bimini with “island flare,” and Mr. Grove playing a mean conga drum. The favorite “MTA” had the house joining in on the chorus, “Did he ever return, no, he never returned with the Trio earning big laughs when they sang, “Charlie’s wife through the open window, hands him a Starbuck’s as the train comes rushing through.”


The irrepressible Bill Zorn, a native of Bridgeport, Connecticut, longtime member of the New Christy Minstrals before hooking up with the Trio, showed great humor, but the best joke of the evening was George Grove’s way of explaining what a jukebox was to the young people in the audience. Grove said  “It’s like a giant IPOD.” Kudos for that line!



Mr. Zorn (right) soloing with the stylish bass player  Paul Gabrielson (left) on the Number 1 Jukebox requested song of all time, the Trio’s Scotch and Soda. Mr. Zorn, should he wish it has a career as a crooner, (sounding a lot like Vic Damone or Jack Jones on Scotch and Soda), if he wants one. Garbrielson’s  mellow bass counterpart to Zorn’s styling of this song comparing love to the buzz of  scotch and gin, had us slightly older guys all remembering how a woman can make you feel.


The Trio gives you chills with the  haunting memory, Long Black Veil. They polish up all the feelings these old folk classics preserve and make you feel them again. Rick Dougherty told me afterwards the Trio has a great repertoire and the thrill of singing the over 400 songs the Trio has to select from for every concert, and reintroducing to new audiences again and again never grows old. “They’re classics,” he says. The songs continue to be because the Kingston Trio keeps them living for everyone who hears them.  And they make you feel alive, too!


Asked if the Trio ever gets tired of performing the same songs, Dougherty said that first and foremost he was a musician, and you don’t become a musician to make a lot of money. You become a musician because you like to play, and if you’re lucky you might become successful at it. Dougherty said performing the Trio songs gave the group tremendous feedback, playing to audiences that love the songs, he said. He never gets tired of it.  A musician likes to play.


Asked if the group rehearses he said they don’t sometimes they conference call, and they pick and choose from their large repertoire, but of course every concert has to have at least the 10 or so songs people expect to hear.



Rick Dougherty duetting with Ozzie Ashburn, a member of the Westco Board at the Westco swank soiree at Il Sorriso Ristorante just down the block from the old Town Hall theatre held after the show. Dougherty likes to sing so much, he was dueting with Ms. Ashburn on Tura Lura Lura as the party approached midnight.


 



Dougherty with Ashburn and Bernedette Vinci, Director of Finance for Westco.


Afterwards the Trio hung out and stayed at at the after party at Il Sorriso Ristorante Italiano where Mr. Day, the Westco Honoree of the night was feted for his support of Westco.


 



Bill Zorn with Carol Greenburg, another Westco Director as the Trio mingled in the mosh.



Susan Katz, left with Mr. Day and his wife Laurie, Bill Zorn, Rick Dougherty and George Grove.


 



Peter Katz, Senior Anchor of White Plains Week and the publisher of Aviation Monthly,  smoozing with Mr. Dougherty and Brenda Starr of The Flash.



Susan Katz with the Guest of Honor.


I tell you this – the songs are American classics that celebrate the unique American character and nowhere is this brought out more than in their last song, The Road to Freedom. A song made popular in the early 60s, it sends the message that freedom and liberty have to be fought for again and again, and well it makes you want to go out and look for a good cause to work for.


 


Members of the Trio mingled with the guests until all guests had left in a most gracious manner as if they were the hosts. What class and style these performers have!


When I left their concert, their songs, their music, their passion for the music, made this old cynic think everything was possible again.


The way the Trio sings is as bracing and up lifting as when you first heard a kid with a guitar strumming in a college lounge, rec room, or coffee house. Their sound makes you want to come on and listen and sing along because the songs make you feel so damn good!


Will the Trio go on forever?


There’s a good chance. Mr. Dougherty says his 7 year old son wants to sing in the trio. He now sings Tom Dooley, only Mr. Dougherty says the little boy sings it, “Hang down your head Tom Doodley”.


For a complete history of the Trio, and to hear their songs, check out www.kingstontrio.com.

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Chertoff Forces Spitzer to Issue No Fly No Cross Illegals License

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WPCNR ALBANY INSIDER. By John F. Bailey. October 27, 2007 with official news releases: Governor Eliot Spitzer today stood with Department of Homeland Security Secretary Michael Chertoff to announce an agreement that will make New York’s licensing system the most secure and most comprehensive license system in the country – one that will offer New Yorkers maximum choice for driver’s licenses, uphold the strictest security standards and ensure the economic vitality of Upstate New York. 


However  the Governor’s plan has been modified by the Department of Homeland Security: persons in New York illegally or who are not citizens will not be able to use any licenses issued by New York State to them for safety and insurance reasons to cross borders or using the license to board air planes at aiports. WPCNR reported exclusively two weeks ago that the Governor’s New York license for illegals policy had not received either approval of  Department of Homeland Security or the Transportation Security Administration (which oversees safety at the nation’s airports), for its one license for all policy.


Mr. Chertoff, in a statement said he did not condone the Governor’s drivers license for illegal programs: “I don’t endorse giving licenses to people who are not here legally, but federal law does allow states to make that choice. What we can do is insist that licenses that do not meet federal requirements be clearly so labeled. New York has agreed to do that.”


 


The agreement means that persons residing in New York illegally will be able to obtain a third tier driver’s license from New York State, but that license i.d. will not allow its holders to fly on planes from airports or cross borders. New York has agreed also to offer an enhanced driver’s license for workers traveling across the Canadian border and back so as not to disrupt present worker, and finally, all citizens of New York will be offered a Real I.D. — acceptable program in 2009.


(WPCNR was the first to report exclusively  two weeks ago that New York was required to comply with Real I.D. standards for border and plane boardings in 2009, which the Governor’s Press Office said they did not have to comply with until 2013.The new agreement between New York and the Department of Homeland Security now brings New York and the Governor’s license plan into this timetable and rejects licenses issued to illegal aliens as government-approved documents for boarding airplanes and crossing borders.)


The Governor’s Press Office had told WPCNR, the governor would make illegal licenses identifiable so they could be distinguished from real United States citizens. Now, the Governor has reversed this policy and licenses issued under the new Homeland Security-approved agreement, will contain a phrase reading “Not for U.S. Government Purposes.”


The agreement stipulates that:




  • License Illegals but with a Catch– New York State will continue to move forward with its plan to license undocumented immigrants, but will now implement that policy in tandem with the implementation of modified REAL ID regulations. When combined with the anti-fraud security measures DMV has already announced, according to DHS Secretary Chertoff, “These techniques will make New York licenses among the most secure in the country.”

 



  •  Enhanced Drivers License for workers: The Department of Homeland Security will allow New York State’s DMV to begin offering an “Enhanced Drivers License” that will allow Western and Northern New Yorkers to cross the New York-Canadian border without a passport. This is critical because next year the federal government has mandated that New Yorkers will no longer be able to cross the New York-Canadian border without a passport. This agreement will ensure that the Upstate Economy does not suffer from this new federal mandate.



  • The Department of Homeland Security, in its final regulations of REAL ID, will address the (Bush) Administration’s main concerns regarding the original draft regulations and, as a result, New York’s licensing system will be in near compliance with the anticipated final regulations as DHS has laid out.

          This accommodation will allow (New York State) to implement REAL ID far sooner than expected. The final regulations, which are due out in the next month or two, will be far less expensive to implement, and will address convenience and privacy concerns.


3 Separate Licenses 



As a result of this comprehensive license agreement, New York will offer three separate and secure licenses all used for different purposes – an “Enhanced Drivers License” for crossing the New York-Canadian border, a federally-approved license to fly on planes and a New York State license for driving and identification purposes.


The New York State license will continue to be available to both undocumented immigrants and lawful residents who simply choose not to purchase one of the federally-approved licenses, either because they already have a passport (35% of New Yorkers do), don’t want to pay an extra fee for one of these new federal licenses, or cannot meet the extra requirements necessary to get them. The state-approved license will simply say “not for U.S. government purposes.”


According to Secretary Chertoff: “In sum, that clarification, along with implementing REAL ID and Enhanced Drivers Licenses represents a major step forward for security, both for New York and for the country.”


Spitzer Explains the Compromise


“As New Yorkers who have felt first hand terrorism’s brutal consequences, and who have known what it is like to have our communities under siege, we take the threat of terrorism very seriously,” said Governor Spitzer.


“This agreement represents a major step forward for national security and will make New York and the entire country safer. It allows us to continue moving forward to license undocumented immigrants securely, while also allowing New York to implement the steps necessary to avoid economic and convenience costs to all New Yorkers as new federal travel restrictions come into effect.”


“We are pleased DHS has worked with us to address many of our concerns about REAL ID, which allows New York to begin implementing the system so New Yorkers will not need a passport simply to board a plane. DHS also heard our concerns about the need to safeguard our Upstate economy, and agreed to allow us to provide an enhanced drivers license as an alternative to a passport to permit the free-flow of commerce across the New York-Canadian border.”


“This agreement also demonstrated the benefits of putting politics aside when advancing sound policy. I respect Secretary Chertoff’s feelings about providing undocumented immigrants with driver’s licenses, and applaud him and the Department of Homeland Security for recognizing that this is a state decision and that we can still implement such a policy in ways that will make the system safer and secure for all Americans.”




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Goodbye Nook

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WPCNR MAIN STREET JOURNAL. By John F. Bailey. October 27, 2007: On this rainy day it’s time to step back into living history one last time. White Plains is losing another living fossil of the past, The Corner Nook Café across the street from City Hall. America used to have thousands of locally owned “eateries” like the Nook, run by persons who put together serviceable tasty unique foods to a nononsense customers – they were called customers then – not clientele or clients or diners.


 



Good Bye Nook–Today is reported to be the old place’s last time until next time.




Today is the final day in the Nook’s 25 year life, and the Dimitrakakis family who has run it for this friendly time will close down the operation making way for affordable – now politically correctly known as “workforce” – housing that will be built by the builder of The Ritz Carlton hotel so the Ritz condominiums can open for the buyers of Million dollar condos.  Such is the irony, the city of White Plains policy on affordable housing  says, we have to close you – Mr. Dimitrakakis — down so I can build homes for people who cannot afford market rate homes, so people who can afford  market rate homes can move into them.



Super Developer Louis Cappelli with his new partners, Peter Dimitrakakis, his wife Antoinnette and daughter at City Hall last night. Mr. Cappelli will put Mr. Dimitrakakis in business at The Nook’s same old stand in  Cappelli’s glamorous affordable housing building that will begin construction shortly. Mr. Cappelli will compensate the family while construction on his affordable housing complex takes place over the next 10 months.



The Nook is a relic of another era. White Plains used to have more places like the Nook – Daddy Michaels, I’m told, and it still has family restaurants like Magnotta’s – that are like homes away from home. As a child I was taken to places like Schrafts in White Plains, a side trip when my mother and her mother went to Macy’s. The main ingredient in a restaurant where the owner is actually serving you is service, friendliness, and their pleasure at always welcoming you back. You don’t get that much around any chain restaurant.


The Corner Nook has that. They will be back next year, and hopefully the same ambience of the long and narrow, intimately slap-dash coziness of the Nook will be recreated.


What I like about these little diners are the little touches. As Chuck Berry sang, “Looking hard for a corner café, where the hamburgers sizzle on an open grill night and day,” the grease and the aromas in the air. The luscious looking pies and cakes on platforms on the counter. The good cup of coffee you don’t have to take out a mortgage to buy. The Nook is real, and not the contrivance of the chain restaurantt. The City Limits almost makes that old time diner slapdash feel – at least they have the business like clash of china intermittently being clanged together – another trademark of a diner.


I like a diner where the waitress, poised to write on the green order ticket, says, “What’ll ya have hun?” (My wife never says that.


I like the counter where you can watch the food being created.


I like the booths that are close in and you can hear a person talk across from you. Diners are great for dates — neutral territory — not expensive which says you’re trying to impress your date — but unintimidating, natural, where the male’s faux pas do not look so bad. (You don’t have to order wine, for example).


Desserts never look better than under those glass platforms, with cakes and pies just out their like centerfolds.


I am getting nostalgic. So for a happy ending, since the Nook shall return. Meanwhile its ambience can be found at the Star Diner across the street from White Plains Hospital Center.


Stoll around today and say goodbye to another piece of America.


Goodbye Nook.


But as the great Allan Freed would say, it’s not goodbye, just good night.

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The Real Deal: To Video or Not to Video That is the Question

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 WPCNR THE REAL DEAL By The Wedding Jeannie, Jeannie Ulynik. October 26, 2007: Whenever I am interviewed for an article having to do with brides and grooms and their top regrets after the wedding, there are two primary things that couples always wish they could re-do.  We will go into the number one regret in next week’s column, and jump right into the second – not having video.  It always surprises me, even after eight years, how many couples sit down and sometime in the first half and hour of meeting with us, strongly suggest that there is no way that they want or would consider having a videographer.  There is such a vehement distaste at even the idea of someone videotaping the wedding, let alone hiring or paying a professional to do it. 



 


There are good reasons why.  Back in the days of sweet sixteen’s and Bar/Bat Mitzvah’s, the videographers that most couples in their 20’s and 30’s were seeing would leave anyone with lingering nightmares.  Large cameras, bright obnoxious lights and people operating the cameras who thought footage meant asking every guest what they thought of you, the party and life in general.  Clearly not a promising combination when flashing forward 20 years and wondering if you want to be subjected to a freak show. 


 


Generally, when we ask most couples why they are so opposed to video, they can’t really articulate the reasons, they just are sure that they don’t want it.  The irony, and the saddest part is that video is an amazing thing to have after a large event is over, not only for you but for your guests (who of course love to come over and see themselves in action) and for future generations. 


 


A Different World


 


Video is a very different species than it was back in the 80’s and 90’s.  Technology has gotten much smaller and better, affording videographers the ability to be lighter on their feet, completely inconspicuous and move quickly through an event with out leaving large lights and miserable guests in their wake.  HD recording now allows clear crisp images to truly capture every color, each detail and all the moments of the night without it looking like a cheap horror thrill.  HD technology can be expensive though and some firms or independent videographers don’t have the equipment readily available for each event (but renting is always an option). 


 


But even if you choose a videographer who shoots with standard cameras, the equipment is so much better than it used to be and the size of the equipment plays a huge role in not advertising that anyone is there taping your every move.  Additionally, the role of the videographer has changed; gone are the days where every person with a camera wants to ask guests how they are doing (although that does still exist as an option but in a very different/documentary style manner).  Videographers are extremely talented these days; most of the people with whom we work are award winning directors (two are Sundance directors and Cannes Festival winners).  They are artists, committed not only to capturing the emotion of the event, but also to producing a real story.


 


Options Offered


 


Some videography firms give you the option to choose your own music to set the tone, others offer to select it for you and see if you like their combinations – either way, the tunes behind the motion set a huge backdrop for good video, so it’s important to understand how that process works in post-production.  Much like with photographer, you need to find a videographer or firm who understands your needs, who is clear about the editing process (does the videographer do it or does someone else) and informs you of exactly what you will be getting (i.e. raw data, 20 minute edited documentary, 45 minute edited film, etc).  The options and packages abound.  You can hire one shooter, or you can opt for a two-camera shoot – a more expensive alternative of course, but one that captures the day at a variety of angles and produces a very different type of final video. 


 


It’s important to point out that if possible, hiring a photography/videography team is optimal, simply because it’s important that these two vendors work together seamlessly.  This is not often possible, nor advisable (particularly if you love a photographer’s work and he/she does not work with a videographer under the same package).  However, finding someone who understands the subtleties of working with someone else who is trying to capture all the same shots is essential.  You don’t want your videographer stepping on the photographers toes (literally or figuratively) and vice versa.  If your photographer (who is usually hired before the videographer) works with someone regularly, investigate their recommendation, but don’t just hire them just because it’s someone that was recommended. 


 


If you are still hesitant about the idea of video, keep a few things in mind: 


 


1) There is no other way to get moving images of your day; to hear your vows, the toasts or any other ceremonial/religious aspects of an event.  This is the best way to have your day forever captured. 


 


2)  In this technological age, you can control the elements of the videography, from the cameras, lights and sound that are used, to the person holding the camera. 


 


3)  The relative cost of videography in comparison to what you are spending on the entire event is generally minimal – and while it’s hard to find a really great team for less than $2000 (of course there are exceptions to the rule) if you are spending 10 times that for an event, isn’t worth it to put money towards capturing it forever?


 


One final note, in rare cases, if we really knew the couple well, we have pushed them to consider videographer and even forced them to hire one.  100% of the time, they come to us after the wedding and thank us – not for all our work, not for making their day a raging success, but for forcing them to reconsider the issue of videography.  Were I not so certain that anyone would end up feeling the same, it would not be the number 2 item on my list of regrets for the majority of couples!  Next week, we will reveal what the number one regret is across the board…..


 


 


                                                                                                  


 


 

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Photograph of the Night

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WPCNR PHOTOGRAPH OF THE NIGHT. By a WPCNR Roving Photographer. October 25, 2007: This SUV tookoff on its own in reverse according to an observer and crashed into the North Fork Bank at the City Center. No one was hurt.  No details from Police yet on the cause.


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Trying to make a Night Withdrawal. SUV careened backwards into North Fork Bank Thursday night at the City Center about 10:15 PM. Photo by Aaron Woodin, a WPCNR Roving Photographer


 

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Council Shocked,Nevertheless PILOTS Weisz Project at Tailored Assessment to 2016

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WPCNR COMMON COUNCIL-CHRONICLE EXAMINER. By John F. Bailey. October 25, 2007 UPDATED 8:30 A.M.: Robert Weisz of the RPW Group, the office building evangelist who has made millions creating “born-again buildings” coaxed a ten year PILOT from the City of White Plains last night on his latest reclamation project, the former IBM property at 1133 Westchester Avenue, where he plans to build an extended stay hotel. (The hotel is not part of the PILOT agreement.)  Thursday evening’s matter was to present the PILOT to the Council to see if they had an objection to it.



Rita Malmud, the Council President, was flabbergasted when she learned the Weisz PILOT had been granted by the County IDA last spring, and the council was not told of its existence. No other councilperson batted an eye. 



Mr. Weisz came before the council to inform them of the PILOT, and the White Plains Commissioner of Planning explained the circumstances of the PILOT. 


Now Wait a Minute….


 



When Ms. Malmud, in purple sweater, looking at Corporation Counsel Edward Dunphy, indignantly raised a ruckus to Ms. Habel (standing left) with Lloyd Tasch, City Assessor to her left,  and the Mayor as to why the IDA had not informed the city the IDA had granted Mr. Weisz a PILOT, Edward Dunphy said the city had been informed, asking the Mayor, “Isn’t the IDA obliged to let the city know?”


Mr. Dunphy answering for the Mayor,  said, “We were noticed.”


At that point, Ms. Malmud’s eyes widened and became small and incredulously Malmud asked Mr. Dunphy why the council had not been told. Dunphy said, “it’s not a legislative matter.”


Dunphy explained that the council’s role is not to approve PILOTS but they have the opportunity to object to them.  Malmud asked, what happens if they object. Dunphy said, “well, you would stop the project.”


Malmud appeared somewhat mystified by this and asked if the School District had been told.


Board of Ed informed before Council


Ms. Habel  said the White Plains Board of Education had been informed of the assessments of the PILOT the previous Wednesday evening (before the Common Council even learned of it Thursday evening).



Mr. Weisz (left) with City Assessor, Lloyd Tasch,  explained that he needed a PILOT on the project to attract a major corporation to rent the facility as its headquarters, which he said was now 80% vacant. He could not sign the corporation he is courting to a longterm lease without assuring them of their longterm costs, and this was the reason for the PILOT, which would stabilize the lease terms.


The PILOT, Weisz said was also necessary for him to recoup his costs of renovating the headquarters with a restaurant, a day care center, a spa, and other amenities.


Tasch Exclaims How Income from property is figured


Lloyd Tasch, City Assessor then took the floor and explained how the PILOT was created. The PILOT  assesses 1133 in the first year at $1.8 Million of assessed value (it’s sale price), and goes out to 2016 at which point it is assessed at  $3.2 Million.


Weisz said he actually felt this PILOT was over assessed because the building is now worth less than it was fifteen years ago, but he would accept it because it was essential to signing his corporate prospect. Mr. Tasch corrected Mr. Weisz and said that the building was worth more now than it was 15 years ago. Tasch took Weisz’s rental of $24 a square foot  for the 100,000 square foot building, to begin the PILOT and gradually raised this to $31.50 a square foot during the course of the PILOT. out to 2016.


 



Councilman Benjamin Boykin after learning of the PILOT assessment, stressed that assessments on commercial property were determined by Income Value of the property, not market value, and wanted the media to get this across to the populace.  Mayor Delfino added that in all the development in his administration the city had never given “tax breaks” to a developer. Ms. Malmud gently corrected the Mayor that the city had given tax breaks to affordable housing projects. The Mayor agreed.


Dunphy Gives a Little Bit of Bad News 


Mr. Dunphy noted that PILOTS were actually a good thing because coincidently 9 West was going off the tax roles and would pay less than it was paying on a PILOT. The reason for this was,  Mr. Dunphy said,  the state had just lowered the  Equalization Rate which would have the effect of lowering 9 West’s tax below their previous PILOT payment.


Mr. Weisz said the corporation he was courting for the space would bring in 2,000 jobs and said this would be a great benefit to White Plains.


Previously during all the time 1133 was approved for renovation by the council and has been renovated, Mr. Weisz had never mentioned the existence of a PILOT or request for one to the Council’s knowledge.


Mr. Weisz left with the council not objecting to the PILOT.

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Performing Arts Center In the Money. $600G’s Raised. Breakeven Forecast.

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WPCNR STAGE DOOR. By John F. Bailey. October 25, 2007: John Ioris, Chairman of the Board of Trustees of the White Plains Performing Arts Center predicted a rosy future  for the Arts Center to the Common Council in Year 5 of its existence Thursday evening .  He reported the theater has sold 723 Subscriptions to the Theatre’s four shows: Man of La Mancha which opens November 29 featuring the Tony-nominated actor Robert Cuccioli in the Don Quixote role, which will play through December 16;  Ragtime, Feb. 1 to 3, Ain’t Misbehavin (February 28- March 16), and How to Succeed in Business Without Really Trying, April 24 to May 11.



Robert Cuccioli to create Don Quixote on White Plains Stage.


Photo, Courtesy, WPPAC


Ioris told the Council the organization had raised $650,000 in new funds, paid off $50,000 in debt and a substantial debt to one individual. Ioris said he expected the operation to break even in the 2007-2008 season with productions of four musical shows supplemented by its Renaissance Theatre Academy productions (which he said had sold out over the summer), rentals, and children’s performances, and touring shows. He promised enhanced sets like the elaborate design commissioned for November’s Man of La Mancha,  upgraded production values, big names, Broadway style casts that will distinguish WPPAC productions this season.


 




 John Ioris, seated, The Chairman of the WPPAC Board of Trustees  told WPCNR his overall production budget was between 1 and $1.5 Million, the major portion invested in mounting the musical productions, which he said a survey of WPPAC patrons indicated they preferred. Ted Peluso, financial advisor, Treasurer to the WPPAC is on the right. 


Enter Mr. Cuccioli


Ioris announced the theatre had signed Robert Cuccioli, the Tony nominted actor, star of Jekyll and Hyde to play the role of Don Quixote in the Man of La Mancha extravaganza. Mr. Ioris said the show would cost $225,000 to produce as would the How to Succeed in Business production. Ioris said the theatre is committed to staging major musicals with the scenery and cast sizes those productions demand. He reported 650 persons tried out for the Man of La Mancha casting call in New York and 80 tried out in White Plains. The show will carry a cast of 21 persons, 11 Equity Actors, and 10 others, including 2 local residents from White Plains, and live orchestra. He even showed the elaborate set design prepared for the show.


 


Opening Night Galas After Every Musical.


Ioris announced a new fundraising endeavor this year. Instead of creating a separate gala every year, he said the theatre would promote 4 post-production Opening Night Galas at posh restaurants donating their fare to the theater after each musical’s Opening Night. The Man of La Mancha Gala will be held at Legal Seafood in White Plains.  Another Gala will be hosted by Ruth’s Cris Steakhouse in Tarrytown. At these Arpres Show Galas, showgoers may mingle with and meet the actors and enjoy the high life.


The Chairman told the Council the theatre would have an elaborate Playbill this year for each show, for which they have sold $70,000 in advertising. He said they would devote 10% of their budget to advertising.


Malmud Requests Budget


Councilperson Rita Malmud who had asked for the progress report on the theatre, asked if she could see the detailed budget for 2007-2008. Theodore Paluso, who is the accountant for the theatre, promised the council a fabulous year, and said there had been an unbelievable turnaround. He said he would get it to the council in a couple of days.


Ioris attributed the turn around to severing the relationship with Helen Hayes Theatre Company last year and staging no productions the first half of 2007, which allowed the theatre to breakeven without a loss. He anticipated a breakeven year this year.


Ioris distributed an attendance sheet that said the theatre had attracted 79,308 paying patrons in its first four years:


2003:   4,968


2004:   27,301


 2005: 28,841


2006 (6 months): 18,316


Total: 79,308


A survey of patrons yield information that average WPPAC theatre goer was between 50 to 64 years old, with incomes over $75,000 a year preferred musicals, comedies and dramas in that order, and prefer to see recognized performers from Broadway. This is why the theatre has programmed musicals in a grand production style.


A New Look


He said the organization had refurbished its entrance with a $50,000 gift from Entergy, the nuclear power corporation, installing an electronic crawl that Ioris said makes audiences more aware the theatre is there. Councilman Glen Hockley suggested again that an outside marquee on Mamaroneck Avenue would make the theatre more visible tothe community. WPCNR notes this has been suggested since the theatre first opened in 2003. Ioris said he would explore that.



The Makeover: A new entrance has been designed at a cost of $50,000 with an electronic “crawl”


Ioris attributed the fast start and massive fundraising to the generosity of the White Plains business community who has stepped forward.


Complete Sellouts Needed to Keep Pace Production Costs.


The angels of White Plains will have to continue to step forward.


The musicals, he said would be high budget affairs with Ain’t Misbehavin and Ragtime produced for less than the $225,000 he expects to spend on the Man of La Mancha and How to Succeed shows.


Day to day rentals and educational programs of the theatre, and, of course, fundraising will have to account for inevitable shortfalls, because even if every night of all four musicals sells out all 410 seats – the musicals appear to lose money. Man of La Mancha for example if every seat of every production is sold will earn approximately $200,000 against its $225,000 cost.  The detailed budget plan will most likely explain the financial plan for the theatre.

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1/2% Sales Tax Request Tabled Til After Election. Equalization Rate Plummets.

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WPCNR COMMON COUNCIL CHRONICLE EXAMINER. October 25, 2007: The resolution calling on the state legislature to increase the city sales tax ½% was taken off the table by Council President Rita Malmud tonight, then immediately tabled until the work session November 20 after the city Common Council election. The city also announced the state equalization rate by which commercial assessments are determined has declined double the rate of last year’s used to figure this year’s tax roll.


The retabling of the sales tax measure was done despite having received the city projections going out to 2011 which were available for discussion as the Common Council and Assemblyman Adam Bradley had requested, and have been available for two weeks.  


Ms. Malmud gave no explanation of why the matter was tabled again, or why the council could not explore any questions on the projections they might have Thursday evening. Neither she nor any of the Common Council indicated any concerns they might have that the sales tax might not be needed due to the rosy projections of the balanced budget the three year “outcast” provided to the New York State Department of the Budget.


However, those three year budget projections may need rethinking  in terms of  property tax increases with the announcement of a decline in this year’s Equalization Rate which Corporation Counsel Edward Dunphy reported during the meeting.


In an interview with Mr. Dunphy and the Mayor after the meeting, Dunphy said the equalization rate assigned White Plains for this year has been delivered and the rate, used to calculate commercial property assessments has taken another nosedive bottoming from 3.24% to 2.69%. This will have a jarring lowering of White Plains commercial assessment rolls in the next budget year, Dunphy told the CitizeNetReporter.


In the 2007-2008 budget year, the equalization rate declined from 3.54% to 3.24%, just .30. The new decrease of .55 could have an serious lowering effect on the Total Assessed Valuation in the city. The .30 decline of 2006-2007 resulted in a $6.2 Million decline in assessed value in the city from 296.1 Million to $289.9 Million.


Dunphy and Mayor Delfino said the city was going to appeal in the courts on this rate. Dunphy said It is only the second time Dunphy said the city will attempt to appeal the rate. Previously the city was able to use the previous year’s rate ecause the state voted on the rate by telephone which was prohibited by law.


Delfino during the Common Council meeting, said the state sets the rate based on only a handful of properties (33) in the city, and as home values go up, the equalization rate goes down. This year’s equalization rate will be based on housing values of 2005, when values were going up and not leveling off as they have in 2006- 2007, so Delfino reasoned White Plains would not see the relief of stabilization of home prices (which would keep the equalization rate where it is)  for several years.

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