Design White Plains Taxi System in New CNR Poll

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WPCNR MR. & MRS. & MS. WHITE PLAINS POLL. July 24, 2008 : Today is the day White Plains cabbies who are not affiliated with the International Union of Painters and Allied Trades may enroll in the union with a waiver of the initiation fee at the union’s headquarters at 14 Saw Mill River Road between 4 and 7 PM.  To date, city hall has not revealed how many gypsy cabs were nabbed, impounded and fined within the last year. Perhaps none, or one, otherwise, why wouldn’t they have that statistic?


However, the questions raised at the union news conference last Saturday about fares, gypsy cabs, taxi stands and the heretofore unreported deliberations of the city’s Taxi Committee raise a lot of issues that anyone who has ever experienced the ambience and aggravation of the White Plains taxi system may want to weigh in with their opinions.


In our never-ending quest to involve Mr. and Mrs. and Ms. White Plains in the issues of their city, since no one else does, we present the following Taxi Poll that seeks to get what the public would like in a taxi system. The system should not be to the advantage of the cab companies, the drivers, or the city’s convenience, it should be for the convenience of the public which is a concept most public agencies do not get, based on WPCNR’s observations.


To that end we present the following revolutionary options at the right — take your pick, Mr. and Mrs. and Ms. White Plains and let the bureaucrats know what you want — not that they will listen.

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WBT’S Got It and Flaunts It! PRODUCERS Opens Aug 7

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WPCNR STAGE DOOR. From Pia Haas, Westchester Broadway Theatre (Edited) July 23, 2008: Listen up guys and dolls, WBT is doin a show, and what a show. This is Good News people!  In a summer where there has been no good news, this all changes on August 7 when WPCNR’s favorite movie, The Producers, and the stage hit of the same name opens up at Westchester Broadway Theatre for a three-month run.



“A little off the shoe tops, my good man, and make it snappy.”Bob Amaral as Everybody’s Favorite Producer, Max Bialystock with his haberdasher and everybody needs one. Mr. Amaral recreates the Nathan Lane role beginning August 7 at the Westchester Broadway Theatre.



Our production Stars Bob Amaral as Max Bialystock and Joel Newsome as Leo Bloom, Karen McNay as the beautiful Ulla. Craig Fols as Roger DeBris, John West as Carmen Ghia, Eric Anderson as the Nazi,  Franz Liebkind,  The rest of the cast includes Delaine Andrzejewski, Jesse Coleman, Amy Griffin, Karen Hyland, John Ryan Jacobs, Sean McNight, Rob Oullette, Lindsay Packard, Ron Remke, Lara Seibert, Melissa Sybil, Anthony Valbiro, Correy West, Tracy J. Wholf & Jesse Wildman. 


The Choreographer will  be Matthew Vargo assisted by Sean McKnight, Peter Barbieri designed sets, Andrew Gmoser designed Lights, Jon Hatton is the sound designer, Matthew Hemesath is the Costume Designer and Gerard Kelly designed Wigs/hair. Victor Lukas will be the Production Stage Manager assisted by Ruth Zang.


 






The Producers , the smash musical opened at the St. James Theatre on April 19, 2001 and ran for 2,502 performances, closing on April 22, 2007. The show originally starred Nathan Lane as Max Bialystock and Matthew Broderick as Leo Bloom. It won 12 Tony Awards, breaking the record held for 37 years by Hello, Dolly! which had won 10.  The Producers also broke the record for the largest single day box-office gross in theatre history, taking in more than $3.5 million. In 2005, the musical was adapted into a musical film, becoming a movie based on a musical based on a movie about a musical. It was directed by Susan Stroman starring Nathan Lane and Matthew Broderick reprising their stage roles,


 


A gleefully vulgar play, The Producers is replete with “slapstick, corny jokes, Borscht Belt shtick, ethnic jokes, unsubtle dirty jokes, hummable melodies, opulent and entirely unmotivated musical numbers and vigorous tap dancing,”


The Play centers around Max Bialystock, played by Bob Amaral, a scheming, down-on-his luck theatrical producer, and Leo Bloom, with Joel Newsome, as  his mousy,  stage struck, accountant. It all starts when Leo points out that under the right circumstances, a producer could actually make more money with a flop than he can with a hit. “No profits” = “no need to pay off the backers”.  


The idea is hatched to find the worst play ever written, hire the worst director and the worst actors in New York,  raise two million dollars from little old ladies willing to invest in a play in return for a little affection,  and when the play closes on opening night,  run off to Rio with the money.  The chosen script, guaranteed to close in one night is “Springtime for Hitler, A Gay Romp with Adolf and Eva at Berchtesgaden,” written by a nutty neo-Nazi named Franz Liebkind.  Roger De Bris, the worst director in New York and a flamboyant homosexual to boot, agrees to do it, but only if the ending is changed so the Germans end up winning World War II!  The scheme seems surefire,  but anything can happen when the lights go up on Broadway!


The Producers  is adapted from Mel Brooks’ wacky 1968 film of the same name, which starred Zero Mostel and Gene Wilder. The film was so brazen in its satire that the major studios wouldn’t touch it. Brooks finally found an independent distributor, which released it like an art film. The Producers went on to receive an Oscar for Best Original Screenplay and became a smash underground hit   For The Musical, Brooks wrote music and lyrics for 17 new songs to go along with “Springtime for “Hitler and “Prisoner of Love” from his film score. Brooks asked his old friend, Glen Kelly to sign on as the musical arranger, and playwright, Thomas Meehan, who wrote the book for the musical, Annie,  to join him in writing the book for the stage. Tony  award winner, Susan Stroman, who worked on hits like Contact, Showboat, The Music Man, Crazy For You,  and Gypsy (here at WBT!), joined the creative team as director and choreographer.


BOB AMARAL returns to WBT in the role of everybody’s favorite producer, Max Bialystock. On Broadway:  Mr. Amaral has appeared in Lion King, Guys & Dolls, and A Funny Thing Happened on the Way to the Forum.  National Tours:  The Producers, Lion King, Annie Get Your Gun, and Wizard of Oz.Regional Theatre: Happy Days: A New Musical, Noises Off, Anything Goes, Triumph of Love, The Robber Bridegroom, Mike, Joseph.Dreamcoat, Good News, The Music Man, Guys & Dolls, and was Kromov in the S.F. Opera production of The Merry Widow.Television: Mad About You, N.Y.P.D. Blue, Babylon 5, Honey I Shrunk the Kids, Any Day Now, Son of the Beach, My Two Dads, Major Dad, Empty Nest, Love & War, The Second Half, Brothers Keeper, and was Eddie Hayes in Rob Reiner’s Morton & Hayes.


 


JOEL NEWSOME  is the accountant, Leo Bloom  who returns to The Producers once more having performed the show on Broadway and on the National Tour. While on tour, Joel had the honor of playing Leo Bloom as well as Carmen Ghia. Other Broadway credits include the Tony winning revival of 42nd Street where he covered and performed the roles of Bert Barry and Andy Lee. Westchester audiences may remember Joel as Cosmo Brown in Singin’ in the Rain..


 


DAVID EDWARDS(Director) Appeared as both Max Bialystock and Roger DeBris in the First National Tour of THE PRODUCERS directed by Susan Stroman.  He has also directed the musical regionally, most recently at Surflight Theatre in Beach Haven, New Jersey Westchester Broadway Theatre audiences will remember him as Don Quixote in MAN OF LA MANCHA, Albin in LA CAGE AUX FOLLES, Scrooge in two different versions of A CHRISTMAS CAROL, and most recently, in PHANTOM. 


 


TICKETS & INFORMATION


 


 


BOX OFF. RESERVATIONS          Call (914)-592-2222. Open every day at 10am.                   


                                                             Closing times vary, depending on show sched­ules.


 


 


GROUP RESERVATIONS:             Call 592-2225, Mon. thru Fri. 10am – 6pm


 


LUXURY BOXES:                            Call 592-8730, Mon. thru Fri. 10am – 4pm


 

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Taxi Report Being Worked on

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WPCNR TAXI STAND. July 22, 2008: Melissa Lopez, spokesperson for the Mayor’s Office, said the Taxi Advisory Committee and the Mayor’s Office that their report on the White Plains “taxi world”  were “working diligently to get this out as soon as possible.”I can tell you that we are working diligently to get this out as soon as possible.



The Chaos Hour  (6 to 7 PM) at the Little Station of Horrors.

WPCNR asked if the police did not have enough manpower to spot and ticket gypsy cabs without medallions. Ms. Lopez reports,  “the police do have enough manpower to enforce the gypsy cabs and when observed, do so. The City of White Plains Public Safety Department no longer has a person assigned to the train station for that sole purpose which is probably what was being referred to at the Saturday press event.  When someone is found operating in the city without a medallion, they are arrested and booked, their cab is towed and the max fine is $250 plus the tow fee.”

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Our Man In Rio Reports

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WPCNR Letter From Rio. By Captain Andy. July 22, 2008: John, well you wanted a report on the ground from your man in Rio. Here it is:



Rio from the Statue of Christ The Redeemer. Photo by Captain Andy. Used with permission.



Rio de Janeiro, Copacabana, Ipanima, the names are all so melodic, and cause  a flood of romantic notions to fill the mind.  So what is Rio really like?  Well here is the inside story. 





 





 


 A tour package was  arranged from Sao Paulo for three days in Rio.  Included were the hotel, and two days of a tour.  The description sounded just lovely.  A fellow would meet me at the airport, would transport me to the hotel.  The next  day I would join a tour of English speaking tourists all with an English  guide, opportunities to make friends and see a new city.  So far so good.  


So I arrive at the airport, and sure enough someone is there to greet me. But doesn’t speak a lick of English.  Go through the sign language, have no idea what this guy is trying to say.  After a long ride to the hotel, I find out that the only tour I will get is  on the last day. Hmmm.  Not what was booked.



Copacabana Beach.


 





Well first we gotta check into the hotel.  The hotel is lovely, just across from the Copacabana beach, beautiful location.   No problem, I  check in and get to the room. The room turns out to face a dark inside air shaft, so there is no view, not even any sunlight.  It is like  getting a room in a cave.  Ahhh, a tour booked room.   How much is a  real room with at least some sunlight?  Well, sir, that will cost you an additional $150 Reias per night.  It will be dark, and I am tired  anyway, so I will sleep well here.  I’ll deal with this later.



Ipanema Beach




So in the morning (not sure this is morning, kinda  still looks dark out  there)  I call the tour agency and ask about my tour.  Well it doesn’t start today.  But it could.  According to my schedule, it should. 


So  the fellow, his name is Costa tells me in broken English that they are doing a special tour for me at 2pm, and that I should be ready.  So I rent a bike and do some touring on my own, and at the prescribed hour, I show up in the hotel lobby. 


No special tour.  Costa shows up to tell me that the plan has changed, they now have a bus tour of people that I will be joining.  But they won’t be here for another 20 minutes.  In 20 minutes he tells me that the van broke down, and it will be more like 40 minutes.  So at around 3:15 a minivan shows up, packed with people to see the Christ statue.  But they need to make some additional stops at
other hotels to pick up more people.



Christ The Redeemer



View from the Redeemer




Suffice to say, this particular tour was called by Mr. Costa about 15 minutes before I was picked up.  It was full of Portuguese and Spanish speakers, no Englasia. The van had no air conditioning, but it did have convenient dark windows, so you couldn’t see anything outside.   And afterward, I was charged an additional $36 Reias for this tour.

In other words, Rio is like a cross between the Jersey Shore and Juarez Mexico.  Everyone here is out to separate you from your money.  I had been told not to wander about, and to leave all valuables in the hotel. 


 






Rio Street Scene


Now I know why.  There is everything from street beggars, to sidewalk sales people to the more sophisticated marketing by H.Stern, the jeweler here, who provides “free trips” to his headquarters to see how jewelry is manufactured. Of course you get a discount if you buy, and it is tax
free.  Everything here is a hustle.  Ask the hotel for an English speaking restaurant.  They give you a voucher with names to ask for, and when you get to the restaurant, there  isn’t going to be a soul who can speak one word of anything intelligible.

I understand there are English speaking hotels here, so naturally I booked through Sao Paulo, all in Portuguese.  No wonder this is working out so well…


So far, it is a barrel of laughs, but I am trying to rest a bit, which is fortunate, since I have
some down time for a day or so.

Hope politics are going well in White Plains.  Your man on the ground in Rio is signing off for now.  Stay tuned for further developments which will be broadcast as they occur.



Sunset on Rio Beach





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$3/4 Million in Tax Refunds for Mamaroneck Ave Properties OK’d by School Distric

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WPCNR SCHOOL DAYS.  July 23, 2008: The Board of Education approved paying $800,259,000 in certiorari refunds to commercial properties on Mamaroneck Avenue and in immediate adjacent vicinity in the city last night. The payout showed how, for every $1 the city agrees to give back in tax refunds, primarily due to the equalization rate, according to city and school district officials, the school board gives back $4.


In other action, the Board approved a new floor for the Post Road School Gymnasium; also approved installation of a new scoreboard at Loucks Field, and a new contract with their public relations agency. Summer School Attendance across all grades was announced as 1,500 (21% of enrollment).


 


 Clerk to the Board of Education Michele Schoenfeld reported to WPCNR today, that $621,000 to 8 Silverman Realty properties, and $178,000 to the Broadmar property on 277 Martine Avenue (where Mercy College and the restaurant Prophecy  are among the tenants). The approval came two weeks after the City of White Plains approved a total of $241,275.05 in refunds on the same properties.  The reduced assessments of the properties  totaling $528,780 is reflected in this year’s tax roll.


In other business, the Board approved $51,300 to replace the Post Road Gymnasium floor (which will be covered by insurance), which was flooded as a result of inadequate drainage resulting from the new Post Road School construction.


The Board also approved spending $104,000 for a new Loucks Field Scoreboard at White Plains High School. It is hoped that the White Plains High School Athletic Foundation will contribute to the cost. Details on the features of the scoreboard are being sought.


The school also rehired Syntax Communications as its public relations consultant at a cost of $22,000 a year, 37% of which will be paid back through BOCES.


The Superintendent of Schools Timothy Connors reported that the Post Road School  and Mamaroneck Avenue School construction is proceeding on-time and on-budget.


The Superintendent noted Summer School in White Plains had 1,500 children enrolled. The enrollment has 600 children in Grades K-5; 350 from the Middle School and 560 at the High School.

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Mayor’s Office Taxi Report In Works– Fares Could Be Increased…If

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WPCNR TAXI STAND. July 21, 2008: The Mayor’s Office released a statement addressing issues brought to the attention by the union organization meeting held Saturday morning in Delfino Park reported on by WPCNR. Melissa Lopez of the Mayor’s Office issued a statement today saying the Taxi Advisory Committee  criticised Saturday for delay in addressing taxi drivers’ issue would be issuing a report shortly. Significant in the statement is an indication that fares would be increased if taxi ambience and protocols were upgraded on part of the drivers.



Taxi Cab Driver Union Organization Rally Saturday. Mayor’s Office Responds.


Here is the statement from Melissa Lopez of  the Mayor’s Office:





The White Plains Taxi Advisory Committee was formed in February 2008 and has
met to discuss taxi matters since then. We have been focused on creating a
taxi ordinance that ensures a high level of service for commuters and
visitors, while allowing cabdrivers to earn a decent living.


We have been looking at issues such as the current practice of multiple fares in one car,
zones vs. meters, “gypsy” cabs, alternative fuel cars, advertising,
insurance, and driver behavior. We agree that a fare increase is viable IF
taxi drivers agree to run their business in a more environmentally sensitive
and customer friendly manner.  

I would like to point out that Mario Alfonso was invited to attend our
meetings and willingly accepted joining the committee as a voice for
cabdrivers.  He met with the city for a year prior to that as the taxi
representative for all taxi drivers in the City of White Plains yet as we
began learning more about the business and making recommendations; he backed
away as he stated that he no longer felt comfortable speaking on behalf of
cabdrivers.  The Committee and the City understood this and asked him to
inform us of who we should continue conversations with but he never
responded. 

The White Plains Taxi Review Advisory Committee will be making
recommendations to address many of the issues which Mario Alfonso and the
other drivers have brought to our attention.  In turn the committee feels
that the City of White Plains is entitled a better, more professional taxi
system.  Members of the committee are working diligently to propose an
updated taxi ordinance that would help resolve the issues faced by drivers,
commuters and the city as a whole.  Once the review is complete, we intend
to announce it to the public.


Melissa Lopez
Director of Economic Development
Coordinator of Public Information
Office of the Mayor – City Hall

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Jehovah’s Witness Conclave Gathers in Newburgh

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WPCNR THE WATCHTOWER. From Jehovah’s Witnesses. July 21, 2008:  An estimated 1,800 individuals from the Bronx, Mount Vernon and Yonkers, will come to the Newburgh Assembly Hall of Jehovah’s Witnesses on the weekend of August 8-10, 2008 for a three-day event focusing on finding reliable guidance.


Jehovah’s Witnesses will host this sixth of eleven local annual conventions at the Newburgh, NY Assembly Hall beginning Friday, August 8, 2008, at 9:20 a.m. The 2008 “Guided by God’s Spirit” District Convention is open to the public. Admission to the convention is free, and no collections will be taken. The program will focus on why reliable guidance is needed today and where people can turn to for trustworthy advice in all aspects of life.


Witnesses who are associated with the referenced area’s 12 congregations anticipate an excellent turnout for the event in view of the enthusiastic response to last year’s convention, which had the theme “Follow the Christ!” Witnesses also look forward to welcoming many non-Witnesses to the convention. Witnesses believe that all who attend will benefit from the practical information presented.


Throughout the United States there will be 305 conventions in 76 cities. Worldwide, there are nearly 7,000,000 Witnesses in over 101,000 congregations. In 2007, more than 12 million people attended over 3,200 of the Witnesses’ conventions around the world.


 

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Tearing Down History. Telling the Story That Must Be Told

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WPCNR VIEW FROM THE UPPER DECK. By Bull Allen. July 20, 2008: This has been a sad week for baseball fans. Two events became public this week. After nine years, Detroit’s Economic Growth Corporation has greenlighted the tearing down of Tiger Stadium where Ty Cobb played.


 


 



So Long Tiger Stadium.


Photo: Rashaun Rucker, Detroit Free Press


In an obituary today, I read also about the death of the first African-American sportscaster,  Sherman Jocko Maxwell. It was the first I had heard of him – who according to reports broadcast scores and did interviews of the players in the old Negro Leagues covering the Newark Eagles.


The two events have two different legacies and say much about America and what’s wrong with it.



In a few months the old Yankee Stadium will be torn down in favor of building a new Yankee Stadium, now rising. I am not going to miss Yankee Stadium that much because the real Yankee Stadium disappeared in 1973 when they removed the façade, shrank the outfield, eliminated the auxiliary scoreboards, removed the bullpens and put in the hideous scoreboard they have today. It has never seemed like the Big Ball Park (as Red Barber used to call it), since.


Still, you would think that the stadium could be preserved for play by local teams, and the stands and interior could have been turned into a New York Baseball Museum. A sort of “Met” or “Museum of Natural History for baseball.  A natural destination for tourists to visit after visiting the new Yankee Stadium next door.


But, no. They are going to tear it down – removing the place where Babe Ruth played. Where Don Larsen pitched a perfect game (my all-time Yankee Stadium moment), Where Grover Cleveland Alexander fanned Lazzeri in the 7th in the 1926 Seventh Game. Where I saw Whitey Ford pitch.  Where Johnny Podres pitched Brooklyn to its only World Championship. You may as well put up condominiums overlooking The Peach Orchard in Gettysburg.


But do the Tigers or the Yankees who got millions in tax breaks doing anything to preserve either Tiger Stadium or the House That Ruth Built. No. Of course not.


So they are tearing down Tiger Stadium.


Because Detroit could not figure out what to do with it.


And they still don’t know what they are going to do with the empty lot once it is done. Tiger Stadium was where Cobb stole his way into the Hall of Fame. Where Hank Greenburg, Schoolboy Rowe, The great Mickey Cochrane played. Where the Dean Brothers beat the Bengals in 1934. Where Hal Newhouser pitched. The home of Mickey Lolich. Stormin Norman. Kaline.  Charlie Gehringer. Goose Goslin. The Bird. Denny McLain. Jim Northrup. Gates Brown. Frank Lary. Paul Foytack. George Kell. Allan Trammel, Lou Whittaker. It had the celebrated overhanging upper deck in right field. It was a magical place where things happened.



Tiger Stadium, 1999. The Associated Press


Tiger Stadium was the place we’d see back East on Thanksgiving Day on Channel 2  at noon at Grandma’s house, with Van Patrick at the microphone calling  the Detroit Lions  (they were Lions then), and the Green Bay Packers in football, with those funny stripped goal posts and often magical snow drifting down on the game. The Lions of Bobby Layne, Yale Larry, Hopalong Cassidy, Night Train Lane and Joe Schmidt.


Where do the Tigers play now? Comerica Field, where the upper decks like so many of the new modern “improved” parks are set so far back you’re miles away from the action. In Tiger Stadium with its posts and steep upper deck rake you were on top of the action. It was like a gallery with echo, the pop of beer cups being popped, and you never missed a play.  The centerfield bleachers  were miles away and the centerfield was way deep – 440 straightaway. You had to have good centerfielders in Detroit. 


Now it is going down. No one in Detroit had the foresight to make it a Detroit Baseball Hall of Fame and museum where kids could play on the old diamond.  They are trying to save the lower deck between 3rd and 1st for a museum and the playing surface, but only have until August 1 to come up with the money. It does not look good for the old lady.


Heck, that field could accommodate two soccer fields, too. 



Right field Today. Empty of seats. Just Ghosts of Baseball’s Past Remain.


 


Tearing down The Corner at Michigan and Trumbull is like tearing down the Roman Coliseum. Tiger Stadium, Cleveland Stadium, League Park, Braves Field, Forbes Field, Comiskey Park, Shibe Park, Ebbets Field, the Polo Grounds, Sportsmans Park all felt like ballparks. The fields were bigger than life. And so green. The diamond exploded before you in those parks because you were so close. Now you are so far away from it in the new parks, that there is no intimacy.



Old Comiskey Park, 1975. Note steep rake of the upper deck.


 


Wrigley Field and Fenway Park are all that are left of the old ballparks. Wrigley is perhaps the most overrated of the lot. It’s nice, but it does not have the character old Comiskey Park on the South Side had. Fenway has been wrecked by the Red Sox sticking bleachers on the left field wall, bleachers on the roof of the Fens and electronic scoreboards. But you are at least still on top of the field.



Upper Deck Puts You on top of the action at Wrigley Field, 1975. Pete Rose at the plate.


Meanwhile, it is interesting to note the Yankees will sell pieces of the old Yankee Stadium for millions.


My feeling is, we destroy the past in America. We do not revere it. Those ballparks, the old buildings, they are living things that were once part of us. When they go, the ghosts go with them.


When we tear them down, we throw out our traditions, our feelings, our values those edifaces once instilled in us.


Jocko Maxwell.


When I read about this first black man to ever do sports on the radio out of WNJR in Newark and WHOM in Newark, it got me thinking about the message this man sends to the youth of today.


He wanted to do sports on the radio. He did sports scores, wrote up old Negro League games, preserved the history of great Negro League baseball. He did not get paid to do it. He did it because he felt he had to and because he loved it. He died at age 100 this week. He said visiting the Hall of Fame at age 93 was the happiest day of his life.


When I was growing up there were no black sportscasters until Art Rust Jr. came on WABC Radio.


Then Bill White joined the Yankee broadcast team, the second really good athlete turned sportscaster. Previously Phil Rizzuto had set the mold as a player turned broadcaster. But Bill White brought a candor and presence and honesty to play by play that was refreshing amongst the Yankee professional announcers, quiet dignified confidence and great dignity that reined in Phil on many a night. 


 Frank Messer, Dwayne Stats, Joe Garagiola, etc., who filled the vast play-by-play wasteland in the Yankee booth since Mel Allen’s departure were competent professionals. But Bill White shared the game with you, articulately, with class. Yankee play-by-play is still a wasteland today, where you never know what is going on.


You have to give the Yankees a lot of credit for hiring Bill White at the time. White, I believe to this day was and still is the only black regular play-by-play man for a major league team. I may be wrong on this. But, frankly there are too few. Ken Singleton continues to handle Yankee Games on YES. The Yankees have done their part. The Yankees even have the only woman sportscaster, Suzyn Waldman, whom I wish would do more play-by-play, and we Yankee fans would know what is going on.


 in the late 60s. Greg Gumbel then Bryant Gumbel came on the networks. Fred Hickman  and Nick Charles were the first black sportscasters I had ever seen on CNN in the 70s.  I do not feel studio hosting by blacks is the same as the play-by-play niches. We need more play-by-play men and women of color. Of course, there are the Spanish play-by-play sportscasters in key markets: New York, Los Angeles, Texas, Arizona — but that is of necessity.


 The point being, I had never heard of Sherman Jocko Maxwell until his death. A horrible thing I as a ball fan did not know of him.


Yet, Mr. Maxwell pursued his love of baseball…he broadcast real good for free – he felt he had a mission to publicize the exploits of the black ballplayers of the 40s and 50s before the color line was ended.


The lesson of today for you young fans out there is to pursue your dream. Do what you want to do, what makes you feel good. If something tells you you must pay attention to it, well do it. You will never know how important it is until you can no longer do it.


Jocko Maxwell did. 

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Union to Organize Cab Drivers to Upgrade Fares, Fight Gypsy Cabs, Gas Relief

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WPCNR TAXI STAND. By John F. Bailey. July 19, 2008 UPDATED July 20, 2008 10:35 AM:  Mario Alfonso, White Plains cabbie since 1986,  unofficial spokesperson for the White Plains cab drivers, told WPCNR Saturday  the key demands  White Plains cabbies wanted from the City of White Plains, were a 25% increase in fares, an increase in the $1 gasoline surcharge, more “taxi stands” about the city, and the ability to have pedestrians “hail” cabs.


Asked why the city doesn’t take over taxis and run the cab system on a franchise basis, setting vehicle rates, appearances and standards itself, Alfonso said the city does not want the liability issues that come with a city franchise operation.



 


Cab Jam: The issues were made clear before about fifty  White Plains cabbies attending an International Union of Painters and Allied Trades union-organizing rally today in Delfino Park. 


The meeting was organized by the unofficial leader of the cabbies, Mario Alfonso, of White Plains and featured Michael Carriere of District Council No. 9 who outlined the benefits of the White Plains independent cabbies to join the union. Number one benefit, he said was the health benefit package at union rates, and number two, the services of the IUPAT legal staff in negotiations and  grievances with the city for individual cabbies and the cabbie workforce en masse, with union spokespeople to lobby and negotiate  for their needs with the City of White Plains.


 



Alfonso , far left,  was joined by Councilman Glen Hockley, center, and Michael Carriere of the District Council Number 9 of the IUPUT who proceeded to outline cabby demands.


 


Alfonso outlined his own experience: In 1986, when he began driving a cab in the city , the lowest fare was $2 and his health package cost him personally $1,200, which he paid himself. Now 22 years later, the lowest fare is $5, and health benefits are costing $6,000, he said. In 1986 he said he paid $75 a month for health benefits.  Today he pays $440 a month for his health insurance. Asked how he made ends meet, Alfonso said “12 hour work days, 7 days a week.”  He told me he averaged 30 fares a day.


At that rate, a cab driver considering the average fares per trip to be $10  a fare with 3 fares to a cab, (allowed in White Plains) you could conceivably gross $75,000  to $100,000 a year as an independent driver before expenses: gas, car repairs, inspections, and more. For a new driver to start driving a cab in White Plains, though they would have to purchase a taxi medallion which Alfonso said varied from $40,000 to $50,000.


Gypsy Cabs Taking Their Bread and Butter


Alfonso  said they wanted the White Plains police to step up enforcement measures against gypsy cabs which cruise White Plains and steal customers. Alfonso said the police have told the taxi drivers they do not have the officer power to patrol for gypsy cab violators.


Alfonso told the crowd that when he met with the city, the city would ask him what he wanted and what taxi drivers needed, but he felt uncomfortable speaking for all the legal cabdrivers in the city. This is why, he said, joining the union would be good for the drivers. The union would be able to present a united front in a way the city would have to respond and react.


Leverage: To Be Determined Later


WPCNR asked Mr. Carriere, the union head, (since cab drivers were all independent contractors and did not work for a particular company), what leverage the union would have in negotiations with the city to improve the cabbies’ working conditions.


Carriere said the union’s legal team would take up issues the city might have with individual cabbies. Currently cabbies have to pay legal defense themselves.


Asked if the union would work and involve other unions to support cabbie demands if the city balks, Carriere said “If they have to.”


White Plains Taxidrivers were invited to sign up with District 9 from 4 PM to 7 PM on Thursday, July 24  at the Union offices at 14 Sawmill River Road Suite # 2. Cost to join the union is $150, and the initiation fee would be waived.


The Case for Unionization


Carriere told the cabdrivers the union would give them strong representation with the city; work for a safer environment in the workplace; a stronger presence politically locally and with the state; health benefits at low union group rates; retirement plans, and he held out the possibility of lower insurance and gas costs. In a flyer handed out, he stressed to the drivers, without the union, they will not have a voice in the workplace.


He held out the possibilities that White Plains would not give them increases in the gasoline $1 surcharge currently added to fares; would escalate medallion costs, inspection fees, license fees and summons and fines targeted at cabs would be raised.


The flyer said “The city of White Plains will control you and the rates that they want to provide to the public” and “Possibly take away standing locations (train stops, bus stops, shopping centers.”


Limiting Access.


Mr. Alfonso said the city is contemplating limiting cabs at the train station to  10 cabs at any time. Currently during rush hour as many as 30 cabs converge on the station.


Alfonso said the cabdrivers want to cooperate with the police and act as their eyes and ears in the neighborhoods. He suggested to WPCNR the cabdrivers know what is going on in the city and can be a valuable resource.


Carriere, the union representative said there are currently 150 White Plains drivers in the union of the 400 taxicab drivers in the city. He hoped to sign up at least 300, he said.


Glen Hockley was described by Mr. Alfonso as being the only Common Councilperson who sought him out to learn more about the cabdriver needs after he (Alfonso) had outlined some of the issues last year.



Mr. Hockley criticized the city for delaying a taxi study, for which monies had been appropriated,  and regretted not being included on a study committee formed by the Mayor a year ago to “study” the cab situation in the city and report on possibilities to improve both the cab service and the cabdrivers’ lot.


Hockley said the only way to solve problems is to get together and work through them.



 

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The Real Deal: Preparing Your Hair on Special Occasions in the Heat

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WPCNR THE REAL DEAL By The Wedding Jeannie, Jeannie Uyanik of Cap and Gown Weddings. July 19, 2008: In this heat, there are a few golden rules that are useful to keeping hair looking sharp, clean and as if it has just been coiffed.  Copious amounts of hairspray aside, while different hair secrets are more well known than others, we wanted to share a few of our biggest tips for making sure that your hair do is an asset and not a liability the day of your big event.


 


 



The Weddding Jeannie


Jeannie Uyanik


Wedding Planner to the World


WPCNR COLUMNISTA


on Avoiding Hairy Situations for Your Hair


 


 


 



 


Finding the perfect hairdresser takes some work.  If you have someone that you see regularly for cuts and color, don’t just assume that they will be able to create a wow look for your special occasion.  I love the person that blow dries my hair once a week, but even I learned the hard way that being lazy did not pay off when I needed something amazing for a gala.  Big surprise, I looked exactly like I look every week. 


 


If you have a look in mind, but you are not sure how its best executed, start with pictures – as many as you can find.  Take them to your trusted professional stylist and start there, but if it does not make you go “that’s it!” then walk out the door and start over.  Finding a stylist who can do what you want and make you feel like a million bucks is not rocket science, but it does require persistence.  Too many people settle because it’s easier and for an event like a wedding, that’s a waste of time and an expensive photographer.


 


The first question to answer is whether or not you want your hair done at a salon or if you are willing to pay for a professional to come to you. The pricing difference can be more than 300% so it’s a question that depends both on budget and the location of your venue.  Most brides are shocked at how expensive it can be for a hair stylist to come to them, particularly when travel of more than 30 minutes from the salon on a Saturday is required. 


 


 An average price for special occasion styling at a salon is about $65-85 for non-brides and $150-250 for brides.  Keep in mind that Saturday’s are a salons highest traffic days, and if a stylist leaves his/her chair to come to you, then they are not only loosing revenue for the time that they are with you but also for the time that it takes them to come and go.  When a professional stylist has to leave their business for half a day to do your hair, it will easily cost a good salon $1500 for a 4 hour period (do the math – ½ hour hair cut at $200 or a color at $300 and that adds up). 


 


And therein lies the logic for the premium that is imposed for off-site work.  The benefits of off site hair are clear; no travel for the bride, quiet and personalized environment in which to have a service, less stress for things like rain, humidity and getting your hair damaged.  The pluses for in-salon work abound as well though, including things like lower costs, more room for large groups (power outages at residences or hotel rooms where a lot of hair equipment is in play, is common), getting your hair shampooed by someone else and of course, less of a mess after the fact (a big concern if you are getting ready at home). 


 


Including wedding party preparation in the mix of hiring a hair stylist requires attention to what may seem like small details, but can throw schedules, pricing and preparation off.  Most hair stylists that are working off site (at a home, hotel or venue) expect that everyone but the bride will arrive with already dried hair.  The rationale is that if they have to do an up-do, that is the service. 


 


Adding in a 25 minute blowdry not only takes more time that most stylists don’t expect, but also is a second service if the bridesmaid or a female relative wants an elaborate up-do.  To avoid surprises, be very specific with your bridal party about what they want, and relay that in delay to your stylist.  This includes:


 


1)      The exact number of people who are having something done (i.e. 5 bridesmaids and two mothers).  Don’t throw someone into the mix the day of the wedding and expect everything to run on schedule; having a concrete list will allow you to be finished on time and allow the stylist not to feel rushed. 


 


2)      Length and texture of hair for each person having a service (i.e. shoulder length, very thick, very curly, etc).  This provides the stylist with a sense of how long each person will take and if they can allot more or less time to one service.


 


3)      Anticipated service (i.e. blow dry with hair pulled back, blow dry and up-do, simple bun, chignon, etc).  This will allow a stylist the ability to price accordingly and prepare for the right number of assistants that he/she will need to bring.


 


4)      Exactly when you need to be finished by (i.e. bride has to be done at 2pm, the rest of the bridal party must be finished by 3pm – and ALWAYS leave a window for things to take longer than they should).  This gives the stylist a deadline so that he or she can plan on the appropriate arrival time.  Don’t try and manage the process – they know their business and if they want to come at 9am instead of 10am, allow them to do so. 


 


And if you are doing services off-site, then make sure that you not only have ample space for everyone to sit and for the stylists to work, ensure that the power is ample for multiple hair dryers and curling irons, that the chairs on which everyone will be sitting are appropriate (that the backs are low enough) for the stylists to work with and that there are mirrors for every impromptu work station.


 


Beyond that, all the other big rules apply; never color within a week of an event, day old hair is always best for up do’s, carry a bottle of hair spray with you in case of fly aways, and if you are planning on wearing your hair down in heat like this, be ok with the fact that once you start dancing, its going to look a bit tired! 


 


 


 


 


 

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