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WPCNR The Rushes. Theatre Mini-Review By John F. Bailey. November 22, 2008 UPDATED with Pix: Get this holiday season’s hot ticket, folks.
That 1960 history maker – OLIVER! The Lionel Bart musical that introduced the concept of turning Charles Dickens works into musicals, turning Broadway to a new creative direction towards musicals with kids (ANNIE, comes to mind), thrilled the opening night audience at White Plains Performing Arts Center. It is Luke Yankee’s most miraculous effort yet as a director at WPPAC. The Man of La Mancha director for WPPAC has produced another “miracle on Main Street.”

It’s an effort children will love because the kids are the stars!
and Mr. Yankee and the “Ed Sullivan of White Plains,” producer Jack Batman have succeeded in giving White Plains and Westchester an OLIVER! with a distinct Disneyesque flavor where the villains are just scary enough, and good wins over tragedy.

The Meanie — Mr. Bumble (the scene stealing Roland Rusinek) leading Oliver out of the orphanage for sale, for the sin of asking for more gruel. Oliver gets sold to the ghoulish Mr. Sowerberry at Sowerberry’s Funeral Home, where William Ryall as Sowerberger and wife, Jan Neuberger — perform That’s Your Funeral — a hilarious scene of slapstick and merriment.

After Oliver runs away from the funeral home, he joins up with The Artful Dodger and learns You’ve Got to Pick a Pocket or Two: Fagin (Sidney Burgoyne) center, instructs Oliver (David Gabriel Lerner, to Fagin’s right) in the fine art of nimble fingered-filching, as The Artful Dodger (Jason Edward Cook) looks on (in top hat) as Oliver is inducted into the Fagin gang at Fagin’s hideout.
Sidney Burgoyne a Mostellish Fagin, the ubiquitous Roland Rusinek as nasty workhouse major domo, Mr. Bumble, a rotund riot, and William Ryall as the Zacherle-like funeral director and the kindly Dr. Grimwig are portrayed with an edge just scary enough for younger persons. Christian Whelan as the despicable Mr. Sykes is a downright good boogyman. They’re masterful at bringing belief to their characatured Dickensian prototypes..

Your Friendly Neighborhood Master of Thieves, Fagin. Played with Captain Hook-Gaston style by the energetic Mr. Sidney Burgoyne — delights with his big solos — Pick A Pocket or Two, Be Back Soon, and the introspectively, cackling, eyeball-rolling soliloquy, Reviewing the Situation.

Natalie Venetia Belcon(center) as the ill-fated heroine Nancy who comes to Oliver’s rescue, conflicted by her love for nasty Bill Sykes,touched and thrilled the audience with her compelling coloratura style commanding the unrequited lovers’ laments, As Long as He Needs Me and here, performing I’d Do Anything with The Artful Dodger.
Coming out on Opening Night and simply delighting the audience singing Food Glorious Food was a group of rambunctious, cockney-cracking urchins right out of the London slums of the 1850s lead by the perfect Oliver, David Gabriel Lerner whose sense of timing, mastery of the cockney dialect, and fluent action movements wins hearts and sentiments instantly getting you to root for him.
The ophans living at Mr. Bumble’s workhouse steal the show from the start with Food Glorious Food, complaining about getting nothing but gruel from a Mr. Bumble, who’s so nasty you want to hiss. The boys in the wise guy Brit accents are terrific. So good we’ll name them right here: John P. Geraghty, Christopher Gray, Alex Pasieka, Benjamin Milan-Polisar, Garbriel Rush, and Noah Silverman.
Then Master Lerner as Oliver singing in perfect, understandle cockney won the opening nighters’ hearts with Where Is Love? Mr. Yankee and Mr. Batman picked the right little hero in Master Lerner.
The sets are swung in and out with smooth ease. As we go from workhouse to Mr. Sowerberry’s brooding funeral parlor to mansion to Fagin’s hideout where all the pickpockets live, the backdrops of 1850s London soar to the proscenium creating the foggy dark Dickensian era – the most creative set yet on the WPPAC Little Theatre on Main Street.
The second act opening featuring Who Will Buy? is strikingly staged. Sellers of roses, strawberries stride through the theatre audience answering Oliver’s song on stage. It’s touching, uplifting and radiates hope. Mr. Yankee has used all of WPPAC in a way that makes the venue come alive with emotion. How Oliver escapes the clutches of Fagin’s gang is realistically created — by Yankee’s exacting fluent direction.
The orchestra directed by Christopher D. Littlefield is madcap Disney laying a musical bed that is evocative and showcases the soloists and the strong voiced ensemble, never overbearing and driving the show with the good nature of a Walt Disney soundtrack.
It’s Broadway every merry note of the way, transporting you to the chock-a-block London of Dickens with fog and “atmosfear.” The costumes of T. Michael Hall are period-perfect (raggamuffin-chic). The lighting of Thom Weaver is subtle and moody, with masterful variety. His creation of the Who Will Buy? scene in Act Two is a work of uplifting lighting art that supports the spellbinding singing performances of the ensemble.
If I were a parent looking for the perfect local entertainment for your family I’d call the box office now at 914-328-1600, or visit the online box office at www.wppac.com. OLIVER! plays the WPPAC through December 14.
