Hits: 0
WPCNR ON THE AISLE. Theatrical Review by John F. Bailey. May 7, 2010: The moment she steps into the joint, you want to do it for Sugar! She’s Colleen Hawks, the gammy, breathy, breathtaking, sugary confectionary blondie from Broadway – a Marilyn Monroe reincarnation with the legs, the chassis and charm of the one and only.

Ms. Hawks breathlessly carries the Westchester Broadway Theatre “just in time” diversion – SUGAR – with her companions in flapper skirts, Gary Lynch as Joe/Josephine (right) and Eric Santagata as Jerry/Daphne, left – the sax and bass players fleeing the notorious – natty and “Tappy” — Spats Palazzo.

Colleen Hawks as Sugar Kane and Ann-Ngaire Martin (far left), with The Society Syncopaters.
This just-in-time shot of musical seltzer (a David Merrick two year run hit back in 1972) brings back the1959 Billy Wilder classic black and white movie Some Like It Hot. It starred the legendary Ms. Monroe, Tony Curtis and Jack Lemon.
SUGAR pulled into the Westchester Broadway Theatre Thursday night when The Dixie Flyer from Chicago arrived with the all girl band—The Society Syncopaters featuring Sugar Kane whose comic playoffs with the madcap Eric Santagata as Jerry/Daphne and the chesty baritone, Gary Lynch as Joe/Josephine — to rescuse Westchester.
SUGAR rescues you from stocks in free all, Madoff madness, spreading oil slicks, disappearing shrimp, vans full of fertilizer and jawboning tired, tawdry politicians without a clue tediously filling the atmosphere with carbon dioxide and bromides that give you a headache.
The whopper of a Second Act sends you out into the night smiling, with zip zing and ginger, and the lady on your arm turns into Sugar Kane, and the man you’re with – Tony Curtis.
Hey, Mack! Hey, Doll! Need to get on the lam from life for a two hour mind reset?
Make like Joe (Gary Lynch) and Jerry ( Eric Santagata) the sax player and bass player out of work who witness sharp-dressed gangster Spats Palazzo, (Yoav Levin, he of the talented tapping spatted feet) rubout a rival gang at the Clark Street garage – SUGAR is just the tonic!
Mr. Levin and his mobsters get the audience tapping with their masterful tap dance number after the big rubout in Tear the Town Apart, and Mr. Levin’s departure from this world in Act II brings down the house – perhaps never has a tommy gun created such laughs.

Bienstock (Brian Maxsween, center) and ensemble perform Sun on My Face on arrival in Miami
Starting slowly like The Dixie Flyer rolling out of the Chicago south yards from Union Station, SUGAR hits its stride when Jerry and Joe decide to pose as girls to join Sweet Sue’s all-girl band to escape the natty Spats Palazzo. Mr. Lynch and Mr. Santagata as Joe and Jerry get the audience in the spirit of the send-up-in-drag “Chicago-cal” with their spectacular Gypsy Rose Lee introductory number, The Beauty That Drives Men Mad. Man this song the way Mr. Lynch and Mr. Santagata execute it is pie-in-the-face-slapstick without pies. Mr. Lynch and Mr.Santagata are the guys as girls who have the girls’ moves down. Cincinatti, Knoxville, Atlanta, Macon, Miami here we come!
When Jerry and Joe playing Josephine and Daphne respectively, join the band and the boys (as girls) mutually fall for Ms. Hawks on the Pullman ride down to Miami by the sea. Mr. Santagata and Ms.Hawks duet touchingly in a Pullman birth party on We Could Be Close.,
The lunacy picks up steam upon pulling into the dazzling palms and sunshine of the Seminole-Ritz Hotel when Sugar, her band leader and the good-looking real girls in the all-girl band: Emily Jan Bender, Christina Laschuk, Jessica Lorion, Meghan Starr,and Natalia Barzilai make you feel the glory of the Miami sun in the splashy number, Sun On My Face – magically conjured by the seductive palm trees and lighting by set-designer Steve Loftus and WBT resident lighting master, Andrew Gmoser.
On the beach at the Seminole-Ritz, we meet millionaire Osgood Fielding (originally played by Joe E. Brown in the1959 movie) played as believably and deliciously lecherously by Ed Romanoff who becomes an audience favorite at WBT’s production with Osgood’s love for a very uncomfortable Jerry.
Mr. Fielding and his fellow millionaires are lounging on the beach reading Wall Street Journals when we meet them. Osgood and the Millionaires’ rendition of November Song is just poifect!. Mr. Romanoff’s mincing about after Jerry’s Daphne is naughty old lechery that is definitely not a felony, but a riot. His prancing and leering will make you laugh despite yourself.
Now lest you think this is an off-color show, it’s not. No four-letter words, just innocent, boy-girl fun – after all this is the1920s folks.
Joe, the robust saxophone player starts to fall for Sugar Kane too, after that pullman party train ride, and seeing the abundance of Millionaires he talks Jerry into stringing Osgood the millionaire along to “do something for Sugar” with the First Act wrapping up with Doin It for Sugar.
After intermission the show steps into the big time with one of the snappiest Act II’s of a musical that builds this wedding cake of a feel-good show.

Sir Osgood Fielding Jr. (Ed Romanoff) Courts Daphne (Eric Santagata) Singing Beautiful Through and Through, romantic and a laugh riot!
Mr. Santagata (previously Seymour in WBT’s Little Shop of Horrors) as Jerry/ Daphne agrees to a date with Osgood against Jerry’s suspicions that Joe is trying to steal Sugar from him. While Jerry distracts Osgood, who falls for Jerry, singing the beautiful pas de deux Beautiful Through and Through – you’ll laugh yourself silly watching Mr. Satagata
Mr. Lynch doffs his lady persona of Josephine and for the trademark blue blazer and ascot and captain’s cap of a playboy millionaire. His game interpretation of Tony Curtis’s Cary Grant imitation (in the movie) on the beach, impresses Sugar…and she agrees to see him on Osgood the millionaire’s yacht. (Confused? It’s complicated, but trust me, pally, you’ll buy it!)
On Osgood’s yacht, Lynch as the millionaire, complains to the beautiful Sugar that he feels nothing when a woman kisses him. Sugar tries her wiles.
They duet What Do You Give to a Man Who’s Had Everything. Ms. Hawks and Mr. Lynch make this scene really funny and every man in the audience wants to be on the receiving end of Ms.Hawks’ lips. I know I did. You can hear a pin drop in the big house when Ms. Hawks lays her smooches on Mr. Lynch.
Osgood asks Jerry to marry him—then comes another highlight comic bit when Jerry announces to Joe that Jerry’s engaged – you’re going to love this part of the show.

That’s Josephine (Gary Lynch) far left, and Daphne (Eric Santagata) far right with Sugar Kane (Colleen Hawks) the blonde peforming for the toe-tapping gangsters from Chicago.
Meanwhile those tap-dancing gangsters are down in Miami searching for Jerry and Joe, they take in a show featuring the girls revue at the Seminole-Ritz – and when they recognize Jerry and Joe – well, all ends happily – I’ll always remember Spats Palazzo and the tap-dancing gangstas – who know how to dress and dance. (In my next life, I’m coming back as a song-and-dance man like Mr. Yoav Levin — he’s a show within the show.
No musical is perfect, but SUGAR ends perfectly with champagne and hope, the way all good musicals should.
It’s the one musical I can remember where the second act is not just a way to end a series of reviews. It’s got plot! It’s got Sugar! Everybody gets their man, and you get the laughs you go to Broadway for…and of course a great dinner, and the longest running dessert in show business – Peach Melba.
WBT’s 165th show pulls into the Elmsford station just when you need it. The audience delivered two minutes of ovation – bravo-ed Yoav Levin, the dancing gangster; roared for Mr. Romanoff as Osgood – accoladed Mr. Lynch and Mr. Santagata – and saved its comic tribute for the comic actress who can sing, too in that sweet Marilyn Monroe way, Colleen Hawks. Her breathy, girl-down-on-her-luck, always-falling-for-sax-players all so understandable. She’s a sweetheart!
Michael O’Steen’s choreography and Charles Repole’s direction moved this show and delivered one great number after another in Act II. The ensemble of musicians under Jeff Tanski delivered a musical bed of crisp, up tempo just right volume and melody.
Just 23-skidoo, folks!
The company serenaded the opening night audience with one last Doin’ It for Sugar.
See it for Sugar!
Contact592-2208 for ticket information and slurp up this musical Sundae or go to the WBT website www.broadwaytheatre.com