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WPCNR STAGE RIGHT. Theatrical Review by John F. Bailey. October 3, 2011:
She is 56 years old and still has it goin’ on!
She’s My Fair Lady, the all-time best family musical (out of a time warp from 1956) arriving again with class, dignity, emotion, and such proper English you have to pay attention at Elmsford’s Westchester Broadway. She charmed young and old without dirty words, without sleaze, and with Broadway’s best-ever score. My date, Brenda Starr, said, “Every song’s a winner!”

Jennifer Babiak creates a spunky, Eliza Doolittle (who wants Mr. Higgins to Show Me) divinely reaches out and touches hearts and wins you over to her corner. You root for her. Tom Galantich is pompous Henry Higgins (who’s “grown accustomed to her face”). They’re the odd couple who play out Pygmalion the spirited George Bernard Shaw satiric battle of the sexes musically in the Jay Lerner & Frederick Leowe classic revival production now receiving lovers of musical theater Wednedays through Sundays at the Westchester Broadway. Photos, Courtesy Westchester Broadway Theatre, by John Vecchiolla
This is a show the ladies who lunch will flock to see for its nostalgia, the elegant costumes and an England that will never grow old. A show lovers will enjoy for its clever “true-to-the-heart” songs everyone will recognize. It moves absolutely ripping, it will hold young childrens’ attentions.
Eliza’s lilting rippling, glorious I could Have Danced All Night gives an emotional uplift when Higgins dances with Eliza after she learns “The Rain In Spain Falls Mainly in the Plain.” The two leads showing a wary resistance to each other gradually thawing to needing each other despite pride and reason.

Higgins, on a bet with fellow linguist Colonel Pickering (ably second-banana-ed by William McCauley) says he can transform virtually unintelligible flower girl Eliza Doolittle into a lady who will fit into high English society. After Higgins makes the proposition to train Eliza, she and the terrific ensemble deliver a delightful, Wouldn’t It Be Loverly?
My Fair Lady has the tightest, liveliest, realistic book in show biz with dialogue that’s not just a few lines into the next song, but good, snappy give-and-take between characters. The MFL songs explain what’s happening emotionally with the characters in case you do not get it.
The cockney accents thick as stilton are so thick you may not understand what’s going on there. You have to listen carefully to the opening scene in Covent Garden. With all the cockney brogue, (perhaps distorted by the sound system, and delivered a little too fast), children and reporters hard of hearing are challenged.
When Tom Galantich’s Henry Higgins, first encountering Eliza sings Why Can’t the English Learn to Speak? all becomes perfectly clear. You know what’s going on. Perhaps Director Charles Repole is making a point by exaggerating actors’ brogues in the opening scene to drive home Mr. Higgins’ disgust with the daily murdering of the King’s English.
Mr. Galantich is introspective, and self-righteous on I’m an Ordinary Man after taking on the exasperating challenge of Eliza. He is sure he will never let a woman into his life. But, he has, and you are about to see a romance that could never happen, happen. The old opposites attract romantic dream lives forever in My Fair Lady.

The show gets into high spirits when Eliza’s father( manic, comic and limber Bill Dietrich) and his 12 chronies of the fabulous ensemble deliver a high-flying With a Little Bit of Luck with leaps and bounds daringly choreographed by Michael Lichtefeld. Mr. Dietrich returns again in a rollicking I’m Getting Married in the Morning (above)Both numbers pleased the full house.
Higgins life indeed runs amuck as lessons with Eliza Doolittle commence. Babiak engages the audience’s sympathies…as her loathing for Professor Higgins’ deprecating and high-faluting attiudes towards her as she learns to say her “a’s”, singing Just You Wait. Then there’s the magical day when Eliza says the sentence, “The rain is Spain falls mainly in the plain.” Higgins is ecstatic and of course the nonsense of The Rain in Spain.
Higgins is so proud of her her dances her around his fabulously recreated study. Eliza is so pleased she has pleased him and thinks he is starting to care for her that she sings I Could Have Danced All Night. Ms Babiak uses all she has on this song…trilling up the scale…mellowing down the scale on the famous lines, letting her voice of joy shimmer in incandescence that opens your heart. From right there, she has the audience rooting for the plucky little lady.

DOWN THE STRETCH THEY COME AT ASCOT
On to Ascot and the races. Higgins is so confident he feels he shall introduce Eliza to society at the races. We meet Higgins mother, drolly played by Kathleen Huber who has the best lines in the show. She is quite taken with Eliza, as is Freddy a young ne’er-do-well society fop. Eliza does fine in a brilliantly staged racetrack scene cleverly rendered by the ensemble top hats and spats, gorgeous dresses and slow motion choreography by Mr. Lichtefeld. Eliza makes one hilarious mistake to end the scene.
Act Two begins with Higgens winning his bet with Pickering after Eliza’s fabulous debut at the ball, as Pickering sings “You Did It!” the emphasis being on you (Professor Higgins), Eliza does a slow burn.

Meeting Mother
Eliza, a character who is a modern woman, before the concept of a modern woman was invented, walks out, laments what is to become of her Without You.
How will they get back together? The audience is left to worry this out through the twists and turns of Higgins’ pride, Eliza’s pride, and a lot of love.
You almost get to thinking it will never work out. Especially when Professor Higgins alone in his study, sings softly I’ve Grown Accustomed to Her Face sketched with regret inwardly touched for the very first time. Reaching to an old gramophone recorder, he switches it on to hear her voice one last time.
You know how it ends,don’t you? If you do not, do go see for yourself.
I never get tired of seeing My Fair Lady. I could see it every night. Like England,there will always be a My Fair Lady.
She is receiving guests through November 27 and returns after the Christmas holiday December 28 through January 29. Go to www.broadwaytheatre.org for ducat information or call (914) 592-2222.