Just the facts, Ma’am.

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WPCNR STAGE DOOR. Theatrical Review by John F. Bailey. October 29, 2018:

Whose facts are they anyway? Where and whom do they come from? Which facts do you choose when putting together a story?

Those are just some of the  “fact-ors”  in fascinating debate journalists, reporters, writers,  spokespersons and publicists need to consider.

The issues of fact and fake news is brought intellectually fascinatingly  to the lead column in the anguishing new play at the appropriately  antique Studio 54 Theater, in Jeremy Kareken, David Murrell and Gordon Farrell’s  The Lifespan of a Fact.

Conflicts  on truth in reporting ensnare the imperial Cherry Jones (Emily the crusading publisher),  Daniel Radcliffe (Jim the nag of an idealistic fact-checker) and Bobby Cannavale (the egotistical writer who bends, distorts and leaves out facts to his purpose) explode over just the facts ma’am.

The researcher played brilliantly by Mr. Radcliffe is mocked for his inexperience by the writer played byCannavale and treated with annoyance by the publisher (Ms. Jones), but when Mr. Radcliffe points out what the writer did not do (to verify facts) the impact of truth shows the way twisting or ignoring the truth for impact on the reader distorts.

The arguments that Cannavalle uses to justify his way of writing the story brought a smile to my face as I recognized expressions I used to use to justify copy I had written for lawyers and copy chiefs in the past. I have to tell you the script captures the back-and-forth of editorial wrangles spot-on.

The argument that develops into rage and exasperation as to whether or not to publish the article at all is fascinating, all too funny for such a serious subject, but the truth of the play will trouble you for sometime.

The whole idea of writing up composite characters based on real life people you meet in articles that present a conceptualized version of the truth to make a point was pioneered by new journalists in the 1960s. It destroyed the concept of who, what, when, why and where of reporting. Created the pseudo-anonymous source. Made writer’s judgement and interpretation popular. The new journalism was entertaining and much more exciting and entertaining than the facts. It even created the happy talk news format of the 1970s.

The discussion in The Lifespan of a Fact addresses the question:  is truth being changed by enhancing the facts to make a better story, or even changing the facts.

The answer is yes.

Truth is being changed when you distort or leave out facts. Based on the essay and book by John D’Agata and Jim Fingal, that came out of their experiences with an article they wrote for Harper’s it explores in entertaining and disturbing fashion how facts are manipulated.

The dogged researcher Jim argues that if you cannot support a fact mentioned in the story, you risk vilification on social media if it is ever found out, therefore subjecting the publishing house boss Emily (the imperious Ms. Jones) heads, for reputation destruction.

Writers make these decisions on facts all the time in what to put in an article and what to leave out. Or, worse, writers put their opinion into articles as to what certain facts mean and portend. This is so much a flaw in journalism today. It’s where fake news comes from.

Another tough call the reporter faces is what to leave out, such as questions politicians do not answer in a news conference. Reporting what is not said or answered is as much a part of a story as to what is said. And, of course there are the questions reporters do not ask.

The traits above are brought brilliantly, shockingly and hilariously to full glare in The Lifespan of a Fact.

The truth does not need interpretation.

The Lifespan of a Fact makes that perfectly clear through the three superb, chemical performances of three actors at the top of their game. The antiseptic imperious sets by Mimi Lien of the publishing house and the writer’s Las Vegas home will be very familiar.

The impersonal communication of the cellphone and the hell of dealing with issues that really do matter  face to face will make any writer or newspaper or network viewer think long after you see this play.

Not since The Front Page has a play explored the responsibility of reporters and writers and publishers with such insight. The truth is a harsh mistress betray her and you will regret it.

The instant on-your-feet standing ovation was testimony to the flawless performers mastery of timing, character, emotion — the stuff great acting is made of.

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WHITE PLAINS WEEK ON COUNTY RESPONSE TO THE LETTER BOMBS, SALES TAX WINDFALL, RAMP METERS BEING INSTALLED. TRUMP FOLLOWS HITLER PRE-ELECTION STRATEGY on WHITEPLAINSWEEK.COM AND YOUTUBE WORLDWIDE NOW.

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AUTUMN IN AMERICA

WHITE PLAINS WEEK for 10-26 YouTube link is
the whiteplainsweek.com link is

REICHSTAG BURNING IN 1933–REPUBLICANS FOLLOW HITLER STRATEGY

LETTER BOMBS TO THE RICH AND FAMOUS–UPDATE

WHY ARE TRUCKS FLIPPING OVER ON THE NEW MARIO CUOMO BRIDGE?

WHITE PLAINS WEEK GOES TO THE WHITE PLAINS LIBRARY GALA

MAYOR ROACH AND RON CHERNOW PUTS THINGS INTO PERSPECTIVE

AND MORE..

WITH JOHN BAILEY AND PETER KATZ ON WHITE PLAINS WEEK

WESTCHESTER’S LONGEST RUNNING NEWS COMMENTARY SINCE 2001

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Boykin, Parker Announce Con Ed “Text” Notification of Outages Is Open for Registration

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WPCNR THE POWER STORY. From County Chairman of the Board of Legislators Benjamin Boykin and Majority Leader Catherine Parker. October 26, 2018:

Con Ed is now offering customers the chance to enroll in a text messaging program that will send pre-storm weather alerts and storm preparation information.  In addition, customers who suffer outages and inform the company about them, will get system and safety updates, including an estimated time of restoration.

Customers who want to enroll can use their cell phones to text REG to OUTAGE (688243) and follow the prompts. Customers will need their account numbers and to confirm their zip codes.  Your account number can be retrieved online by logging on to your Con Ed account and navigating to the “My Account” section, or by checking a bill.

If you sign up but decide you don’t want the text messages, Con Ed assures us that you can opt out.

More information is available at coned.com/text.

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PEOPLE TO BE HEARD: GAVIN CARUTHERS ON PUBLISHING TODAY, GETTING INTO IT, AND AUTHORING PUBLISHER–ON VERIZON FIOS CH. 45, ALTICE CH. 76 AND www.wpcommunitymedia.org

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 JOHN BAILEY INTERVIEWS

GAVIN CARUTHERS

DISCOVERER OF LOST AUTHORS OF THE PAST

PEOPLE TO BE HEARD with Gavin Caruthers has been posted on  YouTube link is
the whiteplainsweek.com link is

PUBLISHER OF THE DEFINITIVE BOOK ON SLEEPY HOLLOW’S PAST AND HALLOWEEN 

WILLA CATHER’S BIOGRAPHY OF THE ORIGINAL NEWS MAGAZINE “McClure’s”

EYEWITNESS ACCOUNTS OF EVERY DAY LIFE IN COLONIAL TIMES IN WESTCHESTER

PLUS MR. GAVIN COMMENTS ON THE STATE OF PUBLISHING TODAY, THE INTERNET’S IMPACT. HOW TO BECOME A PUBLISHER, AN AUTHOR

AND MORE

ON PEOPLE TO BE HEARD. THE TRI-STATE AREA’S MOST RELEVANT INTERVIEW PROGRAM

SATURDAY AT 7 ON

ALTICE CH. 76 AND VERIZON FIOS CH. 45 

WORLDWIDE ON

www.wpcommunitymedia.org

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IN THE MONEY! WHITE PLAINS SALES TAX $$ REBOUND 12.3% IN SEPTEMBER  CATCH-UP AFTER SOFT AUGUST—WESTCHESTER COUNTY SUSTAINS  6% GROWTH RATE THROUGH FIRST THREE QUARTERS, UP $25 MILLION. RECORD SALES TAX YEAR COULD EASE DEFICIT. TEMPER TAX INCREASE.

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WPCNR QUILL & EYESHADE From the NYS Department of Taxation  & Finance. October 24, 2018:

The City of White Plains got back on track after a lackluster August sales spell, with sales tax dollars rebounding 12.3% in September. White Plains is down a slight ¾ of a per cent from the 2017 figures at this time. (The city fiscal year begins in July and runs through June of 2019).

Westchester County sales tax dollars increased ½% in September with the important fourth quarter holiday sales period starting. Through the first 9 months of 2018, Westchester County has earned  $408,569,137.

If the county matches its 2017 pace the next three months it will take in $136 Million, earning an all-time County Sales Tax “Handle” of $544 Million. Last year, the county earned $525.5 Million n sales taxes.

If the county resumes its 6% growth rate it has enjoyed through August the next three months that $544 Million could grow to $550 Million, giving the county enough surplus over last year ( when the county earned $525 Million) to cover the $15 Million hole in the budget from the county decision not to lease the Westchester county airport, and devote $10 Million more towards union settlements recently agreed by the County. (The deficit county auditors announced last spring placed the 2018 shortfall at $37 Million.)

The county itself is highly confident. In their midyear economic forecast in July, the county predicted a $555 Million sales tax revenue, even while downplaying the strong 6% growth rate.

The County Executive now faces the pleasant prospect of the sustained county sales tax growth (if it just matches last year in October, November and December) of having the deficit now down to $10 Million or less depending on free-spending  confident shoppers flooding the malls and the bars.

The  prospect of a property tax increase that is high enough to be fiscally responsible to the labor settlements while low enough to be politically correct with Westchester residents.

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WHITE PLAINS WEEK FRIDAY SHOW ON INTERNET AT YOUTUBE AND WHITE PLAINS WEEK DOT COM– ON CON ED PROMISES, I-287 ENTRANCE METERS AND MORE

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Youtube link is
the whiteplainsweek.com link is

WESTCHESTER’S FULL COURT PRESS

BAILEY KATZ BENEROFE

ON

CON ED’S PROPOSED FIXES TO “BIG STORMS” 

RAMP METERS COMING TO CROSS WESTCHESTER EXPWY THIS MONTH

GOVERNOR CUOMO GOES SPEELUNKING IN HUDSON RIVER GATEWAY RAILROAD TUNNEL–SHOCKING CONDITIONS!

INSIDE THE SHAKE SHACK ON THE WHITE PLAINS BORDER

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Ramp Meters Coming to I-287 Entrance Ramps from Exit 14 to Exit 4 DOT Reports

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WPCNR STOP AND GO. From the New York State Department of Transportation Hudson Link. October 18, 2018 (EDITED):

The long-awaited ramp entrance cue system will begin to be installed late this fall, according to the Department of Transportion, Hudson Link anounced Thursday night.

The New York State Department of Transportation would like to familiarize Lower Hudson motorists with important changes across the I-287 corridor between Rockland and Westchester counties, including on the new Governor Mario M. Cuomo Bridge. These changes include the following:

  • Ramp meter signals will be installed on 13 interchanges along I-287, from Interchange 14A in Rockland County to Interchange 4 in Westchester County.
  • The three Westchester ramp meters will be installed by the end of October 2018 and the remaining ramp meters will be installed in 2019 and 2020.
  • Ramp meters are red/green traffic signals regulating the flow of vehicles from local access ramps entering I-287 to manage roadway congestion.
  • New York State Police will enforce traffic rules at these meters; drivers who fail to stop at a red ramp meter light can be fined the equivalent of a regular traffic signal violation.
  • There will be dedicated bus lanes available on the Governor Mario M. Cuomo Bridge, one in each direction.
  • Bus riders can save up to five minutes on typical weekday commutes and even greater travel time savings when there are major traffic incidents.
  • Proper use of these bus lanes will be enforced by New York State Police.
  • The eastbound bus lane will be available for use with the launch of the new Hudson Link transit service in late October 2018.
  • The westbound bus lane will be available next year with the completion of the bicycle / pedestrian path.
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SATURDAY NIGHT AT 7 PM: VERIZON FIOS CH 45, ALTICE CH.76 DR. JOESEPH RICCA AND DEBBIE HAND (CURRICULUM SUPERINTENDENT) ON WHITE PLAINS SCHOOLS 2018 ASSESSMENT SCORES ON PEOPLE TO BE HEARD on THE INTERNET

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WITH 

DR. DEBBIE HAND

Assistant Superintendent for Curriculum & Instruction

INTERVIEWED

TONIGHT AT 7 ON ALTICE CH. 76 AND FIOS CH 45

ON  WHITE PLAINS SCHOOLS PERFORMANCE ON THE 2018 NEW ASSESSMENT TESTS.

WHAT THE SCORES MEAN.

WHY ARE THE WHITE PLAINS SCHOOLS INTERNAL TESTS VALID FOR JUDGING HOW WHITE PLAINS KIDS ARE REALLY DOING

IS WHITE PLAINS STUDENTS PERFORMANCES IMPROVING EVEN THOUGH ASSESSMENT TEST SCORES SHOW LIMITED IMPROVEMENT

HOW THE CURRICULUM IS CHANGING TO TAILOR TO THE NEEDS OF EVERY CHILD.

DO DR. RICCA AND DR. HAND FEEL THE NEW ASSESSMENT QUESTIONS HAVE IMPROVED

WERE THE TESTS HELPFUL IN ADJUSTING INSTRUCTION FOR THIS YEAR

www.wpcommunitymedia.org

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Open Budget Forums Announced by County. Public Suggestions Sought

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WPCNR COUNTY CLARION-LEDGER. From The  Westchester County Department of Communications. October 15, 2018:

County Executive George Latimer announced a new opportunity for County taxpayers  that will give them a chance to make their voices heard prior to the submission of the County Executive’s first proposed Westchester County Budget.

 

The two public input sessions, both held on October 23, will take place from 2p.m-4p.m. at Mercy College-Yorktown Heights Campus located at 2651 Strang Blvd. in Yorktown Heights and from 7p.m.-9p.m. at the Elizabeth Haub School of Law at Pace University, Moot Court Room located at 78 North Broadway in White Plains. These sessions are in addition to the public hearings held by the Board of Legislators.

Latimer said: “My Administration is determined to abide by the principle that government is by the people and for the people. I hope Westchester residents take this opportunity and loudly make their voice heard. It is no secret that our County faces serious financial issues – but together we will work to fix these challenges which lay ahead.”

 

Latimer continued: “The trend of an Administration seeking public input on the proposed budget after it has already been submitted often created contentious public meetings where some taxpayers felt that solicitation of public input was just for show. That will be no more.”

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The Ferryman Takes You Across the River Styx

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WPCNR STAGE DOOR. Theatrical Review by John F. Bailey. October 15, 2018:

I saw a great play for all time yesterday.

Jez Butterworth’s The Ferryman at the classic Bernard B. Jacobs Theatre

It is majestic, sweeping, searing, heartbreaking, uplifting in the same degree as the great Shakespeare tragedies that makes brutally shockingly clear the insidious cancer of violence and ambitions  that masked in a cause, destroys the good, the profane, the evil, the powerful, the weak through their own individual selfishness and weaknesses.

A triumphant tour de force that gets a hold of you from the ominous prologue to the shattering you-won’t-see-it-coming climax that drains you, uplifts you, resolves you and wises you up.

The Ferryman may be the most perfect play perfect performed ever written.

There are no spots of dead dialogue though the play is three hours long. No transitions looking for a connection. Not one yawn escaped my mouth.

 

You the viewer as a God from Olympus looks down sees the weaknesses and needs of others playout  their inevitable tragedy.

Hopes dashed, ambitions, explode in collisions of greed, lust, manipulation all those things that are let loose in the chaos of these best of times and worst of times.

The genius of this morality play poses the questions that have always been asked by the creators for the stage in perhaps the most unique format ever and covers them all!

What is moral anyway? Is true love moral if it hurts and destroys? Is lust justifiable if you are unhappy? Is the quest for justice just a mask to assume power and manipulate to your advantage? Is love but a fleeting reason-destroying emotion bringing the lover to ruin?  Is manipulation of the mentally weak and persuadable young a right of the plotting older generation? Is violence the ultimate weapon to get your way as long as someone else does it?

The actors perhaps are the most cohesive reality infused committed cast with a mission Director Sam Mendes has ever inspired to make this drama of the Irish Republican Army as real as today’s headlines.

The IRA was one of the first modern terrorist organizations to use bombs in public places and assassinate informants and the play is based a real member of Mr. Butterworth’s family and the IRA assassination of her husband. As I listened raptly to every line of this play, I marveled how the dialogue was so real, how it flowed, with tides and ebbs from hope, to despair, to evil, just like everyday interaction. Never have I seen a play with no dead spots in dialogue. No scene that does not build the emotional nuclear reaction building in the characters. If the play’s your thing, you will never forget this play.

Director Mendes  has honed, shaped embellished from the most nuanced emotion to the most wrenching display of the evaporation of all hope for character after character.

From the year old baby. Theo Ward Dunsmore who performs flawlessly, to the child actors who precociously interact with some of the best comic lines, (Matilda Lawyer, Michael Quinton McArthur, Willow McCarthy, Brooklyn Shuck, Carly Gold,Will Combs, Bella May Mordus,  to a live goose, and the precocious Pierce the Bunny.

Mendes orchestrates the moves, the emotions, the body languages into the stellar leads– Paddy Considine as Quin Carney and the fiery woman he cannot have, and Laura Donnelly as Caitlin Carney triumphant, tragic tough as nails heroine. Donnelly won Best Actress Award at the Olivier Awards for creating this role. I did not know her until I saw her Sunday, but I know her now and she is beyond Bernhardt.

These two are surrounded by a lovable Irish family, and do not fear. You will understand all the Irish blarney and brogue—that is not a problem. The dialog, the songs of harvest time the green of Ireland shimmer in this play. It is perfectly acted and directed. Serious, funny, touching, tragica it’s what you want in a play.

There is even a villain in this play whose fanatic ambition and genius for manipulation conduct Quin Carney’s family to its denouement brought about by the flaws of all.

That actor is Stuart Graham as Muldoon the manipulative IRA leader. His use of blackmail, cruelty, irony in the most elegant of dialogue that chills will remind you of the rich, the powerful, the evil of today.  Graham delivers smarmy coldness, misogyny and blackmail with a darkness of evil and an inevitability of triumph.

Justin Edwards creates a heartwarming Tom Kettle, a mentally challenged workman who has long had an admiration  for Caitlin Carney (Laura Donelley). When Caitlin’s husband is found in a bog, shot in the head with hands tied behind him, the victim of an apparent IRA assassination, Mr. Edwards in a poignant eloquent proposal asks Carney to marry him because he has loved her since she first smiled at him. This sequence among many in the play will hold you spellbound. The scene is perfect. Like every scene in this play.

The actors perfect.

Tom Glynn-Carney as Shane Corcorcan renders a Frankenstein transformation of a teen gradually being seduced by the prospect of justice for the starving members of the IRA who are on a hunger strike during the Margaret Thatcher administration. As his eyes become more wild and bright, the possibility of violence becomes more attractive to him until he becomes—his believability of inflection, the ease at which a good person buys in to hate and cruelty to the innocent.

Fionnula Flangan is touching as the reminiscing Aunt Maggie Far Away whose prophecies and memories and pronouncements to the children (“Love is nothing but sorrow”) ring hollowly true.

The acerbic Irish nationalist , Thatcher-hating  chain-smoking Aunt Patricia Carney, acerbically correctly played pitch perfect by Dearbhla Molloy, and the lovable Irish uncle Patrick Carney (Mark Lambert) are integral foils. I mention these players to deliver just how seamless, all-in this cast is.

It is harvest time in Ireland at the Bernard B. Jacobs Theatre, a harvest you will never forget.

You will see yourself in this play no matter who you are. You, as Gods from Olympus will be staring down at earth from the mezzanine, become parts of this beloved family, wondering what justice really is. Wondering how it can possibly end right and send you into Autumn in New York feeling wiser, better, and knowing what you have to do.

And it’s funny, too.

I will never forget this play.

Neither will you.

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