The Real Deal: Wedding Decor

  


 


WPCNR’S THE REAL DEAL By The Wedding Jeannie, Jeannie Uyanik. October 13, 2007:  Décor is boring.  It’s become boring.  Couples have allowed it to be boring.  No one is really doing anything new, innovative, wow or amazing.  That’s the conclusion; let’s rewind a bit to see how we got there and how it MIGHT be fixable.


 



Jeannie Uyanik, Planner to the World


“The Wedding Jeannie”


WPCNR COLUMNIST


 


For every area of the wedding or event industry, there continues to be innovation, modernization, new twists on the old styles, old twists on the new styles and overall movement forward.  Food has gone organic, vegan, international; new flavors, novel presentation methods, and tastes for every palette.  Photography has gone from film to digital and in doing so, we see unbelievable new work constantly; album quality and design has been revolutionized and we see development every day


Locations modernize their space, change the flow of events and attract investment at greater levels than ever before allowing them to constantly improve the properties; there truly is a venue for every occasion and every client if you look hard enough.  As we discussed in last week’s column dress styles for brides, mothers, girls are continually evolving; new materials, patterns, bolder and less opulent all at the same time.  Stationery has led the pack in terms of advancements and modernization with everything from recycled only paper to DVD invitations; the only limit to your invitations and paper goods is your imagination. 

 


 


Then why have flowers and décor remained so stagnant? 


 


If a florist were reading this, I am sure that the first instinct would be to say “absolutely not – we are innovative all the time” – but I officially DARE any designer or florist to show me something new.  Something that really was different from anyone else (and by the way – by new, I mean accessible to the masses – of course, with a million dollar budget for décor, we are all able to achieve greatness). 


 


Seriously though – think about the last event or wedding that you went to where you were really awed in a way that you had never seen before.  And that’s precisely where the problem lies.  A lay person reading this would probably think of a few examples of an event where the décor was outstanding.  How often are you decorating your home or your office with the same budget that you do a large event or wedding – rarely. 


 


So when you compare the possibilities, anything that you see looks amazing.  Any picture looks beautiful because its not something with which you are familiar.  And that’s how the industry has managed to creep along.  Without great innovation, without great fanfare and without anyone really noticing the design industry has endured with the same old same old.  If you were to look at pictures of the last 10 large events that you went to, you would begin to see a pattern; a standard; a mediocrity that even large budgets have difficulty escaping.  So, instead of focusing on the negative, let’s be productive. 


 


How can you escape the décor ennui of the new century? 


 


 First, do your homework – even if you have NO interest in flowers, décor or design – at least go to meetings with your decorators or designers with a solid sense of what you do and do not like.  Choose the colors that you would like represented at your event and use them to tie the event together (from location, to stationary to the day of).  For a wedding, don’t go overboard in the use of colors; they should be accents, not overwhelming flashy reminders that you like pink. 


 


Consider that everything in a location is part of the décor; the linens, the chairs, the place setting, the floors are as important to the look of an event space as the flowers.  Even if you can’t necessarily afford to hand pick all of these items separately (especially if you are having an event at a place that provides standard ware already) at least be cognizant that they do play a role in the way a room looks. 


 


Choose a designer or florist that is willing to work with your whole setting and not just plunk some vases on tables.  I exaggerate of course; rarely do florists plunk anything but be careful not to just pick a florist because you think they have fresh flowers.  For instance, there are some amazing florists in the tri-state area that can make arrangements for retail/carry out sale in unparallel fashion.  But there is not a direct correlation between owning a flower shop and being able to do flowers for a large event. 


 


There are huge hurdles in designing a room, even if only the flowers are involved.


 


You have to have a large enough team to set up quickly; you need to have solid connections for large quantities of flowers and back up people if those do not come in and you need to be able to visualize a large space not just a table.  Use elements of an event to your advantage in planning the décor.  The favors that you put on the table are décor.  Don’t just select packaging or a favor that will not fit in with the rest of your design element. 


 


The Art of Japanese Flower Arrangement


 


A wedding that we executed with an unsubstantial budget received high acclaim because we implemented an ikebana décor scheme.  Wikipedia describes this Japanese art of flower arrangement in the most precise terms,


 


 “In contrast to the massing of blooms typical of flower arrangement in western countries, Japanese flower arrangement is based on the line of twigs and/or leaves, filled in with a small number of blooms. The container is also a key element of the composition. The structure of a Japanese flower arrangement is based on a scalene triangle delineated by three main points, usually twigs, considered in some schools to symbolize heaven, earth and man.” 


 


While the budget for décor was minimal, the result was extraordinary because most people had never seen this style of arrangement and also because we used elements of the bride’s South African heritage to personalize every aspect of the design – there was no plunking of flowers at this event!    You have to think outside the box and complacency in simply picking out an arrangement that you see in a book will continue the lethargy that seems to have taken hold of the wedding and event floral industry for the past 8 years. 


 


And in terms of creativity and innovation for flowers and décor en masse, I will leave this to the design experts.  I simply plan the events, but I am excited and waiting for the next “big idea” in design for events where budgets are not at $250,000 just for the flowers.  I would welcome the opportunity to see something new – and hopefully, this little piece can inspire a revolution. 


 


Note: Got a question or a comment for the Wedding Jeannie? Ms. Uyanik will answer your questions. Simply e-mail her at [email protected]

Posted in Uncategorized

Forever Phantom: Charismatic Phantom, Incandescent Christine Light Up Night


WPCNR CENTERSTAGE. Review by John F. Bailey. October 11, 2007: The first time you hear Kate Rockwell’s shimmering and haunting voice as Christine Daee, you are enchanted. Your first sight of Aaron Ramey as Westchester Broadway Theatre’s new Phantom of the Opera commands you with his magnetism, machismo and tortured soul. Together their romantic chemistry deliver an emotional Phantom that never lets go of your heart and builds to an emotionally draining climax you will not soon forget. It was a Phantom Night! Driving rain. Lightning in the sky, fitting for a return of the Phantom to the Westchester Broadway Theater. Tonight the lightning was on stage!



Aaron Ramey, The Phantom, and Kate Rockwell as Christine, the lovers of WBT’s new Phantom.  The Phantom is ferrying Christine across the lagoon in Act II. The two performers bring out the best in each other. Photos by John Vecchiola, Courtesy, WBT


Phantom, arriving at WBT this week is not the Phantom of Broadway fame. It’s greater. You leave The Phantom of the Opera as seen on Broadway, and you’re talking about the effects and the great songs. When you walk out into the night after WBT’s Phantom, you’re talking about the incredible voices of Ms. Rockwell and Mr. Ramey, made to sing with each other. You’re overwhelmed by the power of a classic denouement. Ms. Rockwell and Mr. Ramey’s voices blend. They soar. Their duets touch deep into the soul. The electricity of them crackles in the theatre as the fate of the doomed couple is played out in what for one night, the WBT becomes the Paris Opera House.





Kate Rockwell assumes the adult role as Christine Daee, the opera ingenue in Maury Yeston’s and Arthur Kopit’s Phantom. Known as a finalist on NBC’s Grease: You’re the One that I Want, Ms. Rockwell, after seeing her tonight, should never rock and roll again. She is born to play the Christine role, and all the great musical roles, for that matter. In the program notes, she described Christine as her dream role. Well she gave it all she had tonight. As did her debonair Phantom. 



Christine is Discovered, singing her own songs on the streets of Paris. From this opening number, Ms. Rockwell captures you and never lets you go.



Ms. Rockwell has it all: range with a confident finesse and control, flowing, sparkling out into the theatre; essence: this woman takes you from the depths of pity to the height of hope to the “stuff that dreams are made of,” with her stop-you-in-your-tracks voice; credibility: her sense of movement, her expressions, her warmth and way with the lyricist’s words, make hers a voice that you will fall for too, as Eric, the doomed Phantom does.


You never tire of hearing Ms. Rockwell and you‘re going to hear her a lot.



Aaron Ramey creates a Phantom any woman would fall in love with. He is a mystery man. His Phantom as created by the writer Arthur Kopit, is a person, not a cutout. From his first appearance, you sense the contradictions within. Tortured. Lonely. Needy. Enigmatic. Roguishly attractive. Every woman loves this kind of guy. His voice commands. The power baritone articulates raw rage, anxiety, desire, pity, despair that grips you, makes you care about him. Ramey creates a monster, unbalanced, but with a heart, who captures Christine’s heart. Here they perform “Lessons” 


When he hears Christine Daee for the first time , she is putting away costumes at the opera house. He is taken by her voice because, as you will learn her voice reminds him of his mother. He offers to teach her and train her voice. And Christine’s love for him grows. Is it his air of mystery? Is it what he teaches her? Will we ever know?


His duet with Ms. Rockwell at the conclusion of Act I, “Home,” and again with her in the beautiful “You Are Music” (such a true song) are magical and well-acted too! You hang on their every phrase.



After a patron of the opera hears Christine sing on the streets of Paris in the opening extravaganza, he suggests she join the opera for singing lessons. However the opera has just been purchased by the Diva, Carlotta, (above) played by Sandy Rosenberg with Cruella De Ville menace and comic grotesqueries, who plans to sing all the lead roles herself. Carlotta persuades her husband Joseph (Gary Marchek) to dismiss Gerard Carriere, played by James Van Treuren who has been protecting Eric (The Phantom) for years while Eric has lived in the catacombs of the Opera House. The audience will discover why in the melodramatic conclusion.



Van Treuren and Ramey perform an amazing duet in Act II that will not leave a dry eye in the house. Van Treuren is a terrific WBT standby whom this reviewer saw step in as understudy a role in the WBT production Kiss Me Kate, when the lead could not go on. He was so seamless in going on that night, this reporter did know the difference. He handles his scene with Eric when they both sing “You Are My Own” with such elan, pathos and again, credibility holding his emotional own against the tortured Phantom. It is one of the most emotional scenes you will see.


Act II of this Phantom takes a great Act I to a higher level, simply lifting you up. Most musicals, the second act is just a wrap-up. Not this show. Act II, you have to fasten your seatbelts for action, hold tight to your heartstrings, and pine with the star-crossed Christine and Eric.


There is plenty of action in this Phantom. After Eric the Phantom takes revenge for Christine’s disastrous opening night as The Fairy Queen, he takes her to his lair beneath the opera house.


There the two perform their most touching duet, Ms. Rockwell singing My True Love, and Mr. Ramey delivering (to thunderous lasting ovation), My Mother Bore Me, and Christine. This sequence is a tour de force of emotion for Mr. Ramey and the audience paid homage!


Ms. Rockwell duets well when she does not have her stage soulmate, Mr. Ramey as her foil.


She performs a coquettishly Cole Porteresque number with the handsome opera patron after her big debut at The Bistro at the end of Act I. At the Bistro, her singing is carefully choreographed by the Phantom, her mentor. Her foil is the debonair Michael Padgett as Count Philippe, who is smitten with her peformance. Together they sing, “Who Could Ever Have Dreamed Up You”. I loved this song and Cole Porter would loved to have written it


The Chase is On.


And then the chase for the Phantom is on. Into the catacombs. Into the catwalks. Across the lagoon under the streets of Paris. Across the ingenious tricks of staging put together by the resident geniuses at WBT, George Puello and Steven Loftus with lighting effects that create a Bistro, the Opera House, explosions, and of course, the flying chandelier, thanks to Lighting Designer Andrew Gmoser.


This production of the Phantom ran for nine months at WBT in 1992. This new version is fast-moving. With no lulls. A realistic book with real dialogue, not just a bridge between songs. The songs in the show fit in nicely with the book and all are appropriate and complex. You have to listen carefully to get the words, but so commanding is the style of Mr. Ramey and Ms. Rockwell and their outstanding company, you do.


My companion who saw the original version of this show in 1992 thought it was as good, and better than the original.


I commend the orchestra tonight, a little larger than the usual WBT ensemble, with twelve musicians including Musical Director/Conductor Patrick Kelley. This orchestra delivered soundtrack interludes to punctuate the drama of the action, much like a movie soundtrack — with a just-right decibel level that did not overwhelm the stage action. They gave you strings, reeds, bass, a completely different sound that created the feel of opera. They were so good they blended , meshed and laid a musical bed that offered the show to the audience, not overwhelmed it.



Christine is discovered at The Bistro in Act I, while the Phantom, her Svengali, looks on from the balcony.


For more on Phantom, which plays through Thanksgiving, and returns again from December 27 through February 9 at the WBT, go to their website at www.broadwaytheatre.com. Or call 914-592-2222.


This is one of the few shows that got a thunderous ovation at the conclusion of the first act.


I loved this Phantom.


So did its composer and lyricist, Maury Yeston.


The WBT Producer and Co-Owner Bill Stutler introduced Maury Yeston, as a guest of the WBT on press night. Mr. Yeston at intermission was heard and seen by this reporter, shaking his head in admiration, saying


“That girl is just terrific.”

Posted in Uncategorized

Complete City Financials On File With the State For the Record

BULLETIN:


WPCNR FOR THE RECORD. From the Department of the Budget. New York State. October 11, 2007 UPDATED 5:10 PM EDT:  The WPCNR NewsLab has created a printable version of the documents shown in the first edition of this article, for those wishing their own personal copies of the projected White Plains 2008 through 2011 forecast budgets filed with the Department of the Budget….


Simply click on this link: http://www.wpcnr.com/images/pdf/wp_101107.pdf


Though the Mayor has released the forecast portion of the financial statements on file with the Department of the Budget, there is more to the documents. The city supplied a complete accounting of revenue sources and expenses. WPCNR, as a public service to those councilpersons and state legislators and citizens who have not had access to these projections to date, herewith publishes these missing pages. The first page is the Projections page, already published:



 





The footnotes read:


Fiscal year 2007-2008 represents 2007-08 proposed budget.


Property tax rate assumed at 7% each year, assessment roll assumed to remain at current $289.9 Million with the exception of additional assessments as indicated below.


Property tax increased 10% in fiscal year 2008-2009 to account for two PILOTS returning to the Assessment roll.


In accordance with the City Charter, succeeding year revenues cannot be budgeted above prior year actual totals. As such fund balance is budgeted, but not used.


Other Debt proceeds reflects the potential bonding of certain tax certs in fiscal year 2007-2008 and 2008-2009 subject to Common Council approval. This will only be done if needed.


Debt service payments for potential bonding of tax certs included in the event that the financing does occur.


The City currently has various new revenue initiatives in the development stage that are not included in this Plan.


If revenue enhancements are approved, plan will need to be modified accordingly and bonded(SIC) of tax certs will be eliminated.


Parking Rate increases in 2007-2008 and 2010-11 per City Policy




Posted in Uncategorized

For the Record: The Four Year Forecast Supplied to Bradley-Paulin

WPCNR FOR THE RECORD. From The Mayor’s Office. October 11, 2007: The following is the Four Year Multi Year Profection the Mayor’s Office issued to Assemblypersons Adam Bradley and Amy Paulin within the last 24 hours. The projection is identical to the document analyzed by WPCNR in Wednesday’s story announcing the city had filed the projects with the State Comptroller’s Office and the State Department of the Budget. It is the latest projections, according to Paul Wood, City Executive Officer, and identical to the projections sent New York State.


 


Posted in Uncategorized