City Center PILOT Pushed Out 3 YRS. Open Space ORD Riddled

WPCNR Common Council-Chronicle Examiner. By John F. Bailey. September 4, 2012:


The city honored Susan Habel, retired Commissioner of Planning with a plaque commemorating September 4 as Susan Habel Day with the Mayor reading her complete proclamation, and lauding her 27 years of service.


It also voted to rename the Greenway the Jack Harrington Greenway in recognition of Mr. Harrington’s contributions to founding the Greenway and his tireless advocating for preservation of the city.


Habel then opened the  hearing on the Generic Draft Environmental Impact Statement on the proposed Open Space Recreational Ordinance, saying the Planning Department was still reviewing the ordinance and at this point favored cluster housing on a limited space, or a sports recreational complex. She emphasized the Planning Department had not completed its review and would also consider comments on the ordinance Tuesday evening and at the October 1 continuation of the hearing.


The proposed ordinance which seeks to limit development of open space tracts over 100 acres,Fenway Golf Club,Tracts along the Hutchinson River Parkway, Maple Moor Golf Club, and the former Ridgeway Country Club, now owned by the French American School of New York. FASNY as it is known by, is seeking to build its school campus there to the chagrin of the Gedney neighborhood surrounding it.


When the public hearing swung into action only one speaker Harriet Baker spoke in favor of the ordinance, saying it preceded the French American School of New York buying the property. This statement is technically correct, but the ordinance actually started to be pursued seriously by the city when the Common Council turned down the property for the purchase price of $8.9 Million. When it became known FASNY was the winning bidder, the ordinance gained favor. FASNY purchased the property for $11 Million, with $3 Million contingent on approval of the property’s development within three years. That deadline is coming up in 2013, the property being purchased in January, 2011


Fran Jones,  former President of Open Space advocated not developing open space properties over that size at all,saying that once developed they were gone. She suggested just leaving them alone or perhaps the city preserving it for its citizens by purchasing it, or involving the New York Botanical Garden in developing the open space, or an organic restaurant operation like Stone Barns. Jones said she advocated the open space at Ridgeway should be for the citizens of the city. 


Terence Guerriere, President of the Gednew Association backed away from full support of the Open Space Recreation Ordinance (and its advocacy of cluster housing or a sports complex as alteratives) saying he would reserve comment until the completion of the hearing, which was held over until October 1, the next Council meeting.


Five of 11 speakers all spoke against the Open Space Recreation Ordinance. Representatives of the French American School took the city consultant-prepared Generic DEIS (for the cost of approximately $200,000)  apart, with one architect calling the GDEIS prepared “entirely without justification.”


Michael Zarin, the lead attorney for FASNY pointed out how the conclusion of the GDEIS regarding setbacks, promotion of an independent sports complex on the 5.6 acres FASNY plans to build on, or cluster town housing, did not take into account the much smaller setbacks existing at school properties currently permitted in White Plains, and did not consider the economics of running a successful sports comlex on justifying putting a specific sized sports complex there instead of FASNY.


Two speakers familiar with gold course economics today, including a former member of the Ridgeway Club said in effect, keeping the Ridgeway property as a golf courses today are not economically viable.


Two representatives of the Westchester Hills Golf Club across the street from the former Ridgeway property FASNY is planning to build on, urged the city not to adopt the Open Space Recreation Ordinance because it would jeopardize the Westchester Hills value in the future. An attorney for Westchester Hills said that the club supported either no action or the limited housing cluster currently recommended in the GDEIS. A member of the Fenway Golf Club asked that Fenway be removed from the proposed ordnance altogether because its property was less than 100 acres.


In other action — Cappelli City Center Retail PILOT Extended.


On the consent agenda, the Common Council extended the life of the City Center Retail pilot through 2018, raising the PILOT of the City Center Retail portion $118,000 a year in years 2016,2017,2018.


The PILOT, controversial when established in 2003, had been set to expire at the end of 2015. The PILOT amount was raised to $2.3 Million a year in 2016,2017,2018 up from $2.182 Million.


In contrast to how key consent agenda items are handled,which when positive are characterized by glowing praise from council memebers, no council member, or even the Mayor commented on the reason why the PILOT was extended.


The city Corporation Counsel has not responded to a WPCNR request as to why the PILOT was pushed out through 2018.


Cappelli Enterprises which owns the LLC that owns the City Center, has not issued a statement to WPCNR whether they requested the extension or the city did or it was by mutual agreement and why.


According to the Common Council backup material the new extension was requested by the Cappelli organization. 


The extension, though contains the proviso that the Cappelli organization cannot seek a certiorari on PILOT payments made before 2018.Extending the PILOT through 2018, pushes out the time when the city assessor from reassessing the City Center retail portion for the 2016 tax roll that would account for how the city center premises has changed and accounting for more big box retail space which the assessor could have done in the 2016 roll.


Shh! Loud Bars Scolded


Milagros Lecouna in commenting on the extension of outdoor cafe permits until December 31, 2012 for Elements, Ron Blacks Bar and Restaurant, Porter House Restaurant, Hudson Grill and The Brazen Fox, to use city property for outdoor dining on the Waller-Maple Lot, encouraged the restaurants in this list that have been notified by the city that they have violated the city noise standards by loud activity in the outdoor dining areas, “to tone down their outdoor speakers,” saying they know who they are. She declined to name the frequent offenders.


Nicoletti Saves on Sprinklers


Councilman David Buchwald noted the city has saved $300,000 by executing a sprinkler system for less than expected in the Longview Garage and that the $300,000 figure would be taken off the city borrowing request next month.


The city engaged Lamb & Barnosky to continue to handle litigation on the police retiree federal lawsuit over the city demand that retirees by 15% of their health benefits cost. The city allocated $225,000 to L & B for 2012.

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Legislators Thank Playland Employees–Say it’s Now Profitable

WPCNR COUNTY CLARION-LEDGER. From Westchester County Board of  Legislators. September 4, 2012:


A group of Democratic legislators from the Westchester County Board of Legislators (BOL), led by Chairman Ken Jenkins (D-Yonkers), spent a few hours yesterday afternoon walking around Playland, the 280-acre County park and National Historic Landmark, thanking patrons and employees for a successful year.



The most recent financial figures on Playland are proving to be favorable, with revenues and expenses at budgeted levels, and attendance keeping pace with last year’s numbers. According to the 2012 Adopted County Budget, even with over $3.1 million in debt service included as an expenditure, Playland amounts to only $3 million of the $548 million county tax levy—a whopping $3 per person.



Even though it was a cloudy day, Playland was busy, thanks to the Labor Day holiday. BOL Chairman Jenkins was joined by Legislators Bill Ryan (D-White Plains), Maryjane Shimsky (D-Hastings on-Hudson), Catherine Borgia (D-Ossining) and Virginia Perez (D-Yonkers), and the group began greeting visitors entering the park near the Fountain Gate before heading to Kiddyland and then around the rest of the park to say their hellos and thank yous.



Playland is open to the public only one more day this season—Sunday, September 9—although there are two more outings being held at the park, as well as a Halloween event being produced by an outside contractor.



Three Democratic BOL members of the Westchester County Board of Legislators called for an independent audit of Playland on August 10 because of troubling inconsistencies and omissions in the data regarding the park’s attendance and revenue figures being reported by the Astorino Administration. The legislators also vowed not to give full control of the beloved, family-friendly destination to a private operator without a rigorous analysis and approval process.

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Mayor Sy Schulman Dies

 



Mayor Sy Schulman


1926-2012


WPCNR MILESTONES. September 2,2012:


The Journal News reported Sunday that former White Plains Mayor Sy Schulman died Saturday at his White Plains home of pancreatic cancer at the age of 86.


White Plains Mayor Thomas Roach in a statement to WPCNR, observed,



“I was deeply saddened to learn of Mayor Shulman’s passing. Our community has suffered a great loss. Many of the things we all love about White Plains and Westchester County for that matter are directly related to his vision and commitment.”




According to a remembrance by  White Plains’ Milton Hoffman, Schulman was a planner for Westchester County  from 1955 and served as County Planning Commissioner from 1962 to 1968.  He is credited with planning the expansion of the county parks system and contributing to planning for the Cross Westchester Expressway. Schulman was selected by Governor Nelson Rockefeller to serve as general manager of the State Park Commisson and is credited with placing a park on the roof of the sewage plant on New York’s West Side. He was President of the Westchester County Association from 1973 for about twenty years. He was a member and then Chairman of the White Plains Planning BoardHe was elected to the White Plains Common Council in 1992, and elected Mayor in 1993, serving through  1997.


Mayor Schulman is credited with pioneering the city comprehensive plan during his administration. This reporter remembers that Schulman was the Mayor who invested in putting a roof over Ebersole Ice Rink that greatly improved the enjoyment of the old rink for the citizens. Reporter Hoffman notes that during Schulman’s term as Mayor, property taxes were not raised.


 

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The ‘GLORY’ of Paris! CAN-CAN Comes In Takes You for a Spin. Champagne 4 ALL

 


 


WPCNR Front Row Center. Theatrical Review by John F. Bailey. September 1,2012: 


 


The First Lady of the Westchester Broadway Theatre, Glory Crampton,  (Designated Supreme Diva of the House of  Stutler and Funking), the international  show biz recording artist, united with the ultimate  composer of  the Broadway stage –Cole Porter last night at WBT’s  Opening Night of Can-Can – Porter’s second longest running Broadway Show .



 


Glory Crampton, statuesque soprano, is a devlish angel  as La Mome Pistache, with dashing baritone Tony Lawson as her conquest  had the enthusiastic audience thoroughly enthralled  in Mr. Porter’s 1890s tribute to the Paris of our dreams. Can-Can opened to 3 minutes of bravos at WBT Friday night Photographs Courtesy Westchester Broadway Theatre by John Vecchiolla


 


Ms. Crampton’s enchanting all-eyes-on-her stage presence, blends with  just-so-right delivery of emotion, feeling and snappy lines, with believable passion with Mr. Lawson (most realistic kisses I have seen on stage in years by both)  in the love story of a nightclub owner and a straitlaced judge of the Paris court brings Cole Porter and bookman Abe Burrows’ daffy depiction of the naughty Paris of legend smashingly to life.


 


No wonder we know our upright judge has no chance. Their improbable love story is made naturally possible, sold, hook, line and heart by the stars’ chemistry. Ms. Crampton’s glorious sultry performance of  Porter’s immortal, I love Paris in Act II is not to be missed!


 


Her wistful, pleasure-with every note lush-soaring-to-the-stars refrain of “I love Paris every moment…every moment of the year” is all that love is! It’s the highlight of a show with many highlights.


 


Lawson the judge is appalled by the Can-Can the scandalous dance staged nightly in La Mome Pistach’s club, Bal du Paris. When Lawson’s Judge Aristide hears of this nightly affront to law and order, he devises a sting operation to photograph the dancers in flagrante can-can-o.


He visits the Club, meets Glory Crampton as Pistache. Pistache attempts to bribe him, finds herself attracted. Aristide is taken aback and the two sing the seductive and poetically melancholy C’est Magnifique I tell you, this old critic’s ticker started ticking again when the pair sang that one.


The judge observes the versatile ensemble performing the can-can  gets his picture and Pistach and her girls are arrested ultimately losing her license. Pistache stages a Garden of Eden ballet ( satirically performed with considerable entwining, lifting, mocking with subtle style the ballet in vogue mid-twentieth century).


The ensemble shows its multi-talents in this conclusion to Act I that is raided by the police. Pistache losing everything sings  to Aristide to Allez-vous-en (go away) Aristide however stays on at the ball and is photographed kissing Pistache and he becomes a scandal to the court.


Pistache schemes to get her night club back by running a laundry by day and a dance hall by night secretly but needs money. Aristide bankrolls the operation and he insists in being strictly a business partner, no romance.



 


The First Act features the hilarious, sophisticated subplot featuring manic Patrick Richwood (left, above) as Boris the sculptor, his artist cronies in Montmarte (the song Montmarte rendered by the company at the top of Act I introduces composer Porter’s send-up of Bohemian Paris), and Boris’ long suffering can-can girl girl-friend, Lauralyn McClelland who plays the role of Claudine that made Gwen Verdon a Broadway star.


After performing the Apache Dance in the original Can-Can in 1953 Gwen Verdon went on to star in Damn Yankees. Ms. McClelland, diminutive compared to Verdon, delivers a different feminine ingenue glow to the role of innocence and threatened  damsel.


McClelland holds her own as can-can dancer, and is a clever straight-woman setting up the foolish Boris’s antics. Whenever Mr. Richwood’s Boris is in a scene, being silly, manic, and carrying off pratfalls, the audience laughs in spite of itself. Mr. Richwood can brings stuffiest Westchesterite to chuckle, laugh and guffaw.


The Paris cad, Hillaire the Art Critic, is played with “hiss-the-villain” smarmy snobbery by Charles West, (WITH McClelland and Richwood above). He schemes to seduce McClelland by promising to look at Boris’s pathetic sculpture.


West’s Come Along With Me (Woof-Woof) is stylishly madcap and the audience loves his mischievous seducer role. Every “woof-woof” brings a laugh!


When Hillaire drops by the Montmarte studio to critique Boris’s sculptures, Boris’s explanation of each very funny work is a mock of artist explanations that entertains the audience with sophisticated rationales that make you laugh out loud – loudly.


Richwood is fantastic funny here, defending his art. Hillaire’s review of the statues appears, a review scathingly funny and satirizes the cruel venom critics love to use. Boris rightly incensed ends up in a duel with Hillaire where Richwood again works the audience into  laughter that builds and builds as he gets tangled up in two swords.


Ted Lawson has a fine solo moment in Act I when, stuck in prison after his arrest, he sings with impeccable puzzlement and  enthusiasm, I’m In Love. Men, you will recognize how you feel when a woman has you in a spin by the way Mr. Lawson pulls this song off. Lawson last appeared as Barnum at WBT and it is great to have the Derek Jeter of baritone leading men back leading and every bit the romantic and charming equal of Ms. Crampton.


At the end of Act I you’ve got the two lovers in a fix. Well this being a Cole Porter musical, you know Act II is going to make it come out all right with a twist.


Lawson’s Aristide is found hiding out from his judicial inquiry in a Montmarte sidewalk cafe when encountered by a comely lass, he rejects her, still smitten with Ms. Crampton. (I tell you once Glory Crampton gets under your skin, you’d drink in cafes,too.) His dilemma is summed up nicely with his mellow and wistful, It’s All Right With Me, delivered with the accepting helplessness of a man smitten and doomed to a love he cannot get over.


But romantics remember, this is a Cole Porter musical!


Pastiche encounters Aristide and the interloper and shoos her rival away. Aristide proposes simply a business arrangement and Pastiche’s laundry is opened with the can-can playing nightly. He finally cannot stand being away from Pastice and their touching reuniting happens after Crampton wins over all with her I Love Paris for the ages.


 


Lauralyn McClelland, playing Claudine, Boris’s coveted wife, is featured in a splendid rivival of the Apace Dance— the performance that shocked Broadway and made Gwen Verdon the toast of Broadway. She delivers this aggressive three-man and a woman dance with violence, suppleness,sensuality, intensity that is as it should be the show dance highlight!


 


McClelland brings it off. The dance in this critic’s opinion would seem to have inspired the violent choreography of the subsequent West Side Story five years later. Can-Can was produced in 1953.Director and Choreographer Richard Stafford got the most out of McClelland in this riveting and surprising dance number with knives and simulated violence. It was a sensation in its time and still is today.


 


But there is still more. Will Boris survive his duel?


 


More surprises to come—and the elegant white satin gown Ms.Crampton wears in the final court scene, has her looking so much like a lady. She also sings a put-down of men in Act II—the ladies in the audience were nodding in agreement.


 


Can-Can rolls out slowly, gains steam, and soars giddly with Porter’s signature great second Act!


 



The dance ensemble of Bjorn Bolinder, Karolina Blonski, Courtney Chilton, Laura Elizabeth Henning, Chloe Hurst, Darrell T. Joe, Peter Marinos, Kaitlin Niewoener, Elliot Reiland, Tim Roller and Margueritte Willbanks perform the can-can, the  Garden of Eden Ballet (with Laura Elizabeth Henning performing temptingly convincing as The Snake).


 


Stafford  direction controls their energy and brings them along slowly, with each number gaining energy, sass, and precision! Stafford’s ballet satire at the end of Act I delivers every cliché ballet move you would expect: garish over-the-top costumes, exaggerated lifts and embraces – very giggle-enducing though performed seriously. Ms. Crampton herself even struts elegantly as a swan-like character, swan that she is!  The ensemble kicks the Can-Can out of the theater at the conclusion of Act II and the audience clapped for a good three minutes!


 


The orchestra is crisp and provides evocative Parisian accordion charm and gay Paree bounce, cachophanous outrageousness and  saucy piquancy! Credit to Craig Barna’s musical direction  and his musicians, Ken Ross, Drums; Ron Raffio bass; Ron Kozak, reeds; Dave Olson,trumpet; Ja yson Ingram, Trombone;


 


The set by John Farrell duets with the Minister of Light, Andrew Gmoser,  making wonderful use of a painted backdrop of Montmartre that more than any set this year evokes as much as theatre-in-the-round can, the City of Light and seductive Darkness.


 


Loren Shaw’s costumes are impeccably dazzling from the fantastic satin white gown Ms. Crampton wears in her final court scene, to the rich red of the can-can girls, to Charles West’s cad’s tuxedo.  I have to say the costuming at WBT this year has been stellar, effectively recalling these masterpieces of musical theatre.


 


You definitely want to catch the Can-Can  But, it plays the WBT “bistro” only through October 7. Go to www.BroadwayTheatre.com  or pick up your golden French antique telephone and dial (914) 592-2222


 


Can-can paints the Paris of  your dreams. 


 

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