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"WPCNR POET IN RESIDENCE.
Fantastic poem. Great for Mother's Day." -- Terry P.
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Legislators: More Time on Sustainable Playland Contract. Poses Q's, Wants A's
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WPCNR County Clarion-Ledger. From the County Board of Legislators Press Office. (EDITED) April 11, 2013:
The resolution for the asset management agreement proposed by County Executive Astorino that will cede control of Playland, Westchester’s 280-acre amusement park and recreation facility, to a not-for-profit entity called Sustainable Playland, Inc. (SPI) was held over by Westchester County Board of Legislators (BOL) Chairman Ken Jenkins (D-Yonkers) at today’s meeting of the County’s Board of Acquisition and Contract (A&C), as questions abound regarding the financial viability of the agreement.
The BOL Government Operations Committee, chaired by legislator Catherine Borgia (D-Ossining), has been carefully scrutinizing the proposals of the top four respondents, as indicated by the Administration. A financial audit of the four proposals initiated by the BOL is due any day now.
The BOL’s vetting of the proposals (Editor's Note: the proposals have been available to the Legislators for two years) has generated a number of important questions about Astorino’s choice of SPI, and whether the not-for-profit organization will deliver the best financial deal for Westchester taxpayers, who will be on the hook for any County incurred costs at Playland not covered by the agreement.
Today, BOL Chairman Jenkins entered into the record of the A&C meeting several of these questions:
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ArtsWestchester Names Stepinac Top Education Organization in the Arts 2012
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WPCNR ON ARTS. April 8, 2013:
ArtsWestchester held the 2013 Arts Award Luncheon on April 4 at the Crowne Plaza Hotel in White Plains.
Archbishop Stepinac High School Drama Club received the Education Award.
This award is presented to an artist, individual, group, school, district or organization that has through extraordinary vision and leadership, enriched arts education in Westchester.
Pictured here with White Plains Mayor Tom Roach, are Stepinac seniors (from left): Tom Megan, Tim Stanson, Brian McNally and Stephen McMahon with White Plains Mayor Tom Roach.
All the winners, pictured above are:
Artist: Tony Vaccaro – a photographer of iconic WWII and celebrity images
Arts Patron: Judy Evnin – a dedicated leader and patron of visual and performing arts
Artist: Craig Schulman - a renowned Broadway performer and producer
Artist: Tony Vaccaro – a photographer of iconic WWII and celebrity images
Arts Organization: RiverArts – promoting arts and culture in the river communities
Community: Dr. Caroline Bauman – founder, Westchester Chamber Music Society
Community: Friends of North Castle Public Library – a cultural hub and originator of The Armonk Outdoor Art Show
Community: Arc of Westchester - serving people with autism and other developmental disabilities
Education: Archbishop Stepinac High School Drama Club - a theatre program used as an educational tool
Sophia Abeles Education: Rosalie Sauerhaft - arts educator, Performing Arts Center, Purchase College
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Petitioners Against PlaylandTakeover Decry Loss of 14 Rides,Midway
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WPCNR PLAYLAND ROUNDUP News & Comment by John F. Bailey. APRIL 3, 2013 UPDATED 7:00 A.M. E.D.T. April 5, 2013:
Thursday, the County Executive's major announcement about Sustainable Playland answered a lot of questions. But, not much has changed.
Late Wednesday afternoon a group opposed to the Sustainable Playland plan, change.org listed 14 well-known attractions plus the midway that Sustainable plans to eliminate from the park.
The Sustainable wrecking ball will eliminate the Log Flume, Flying Witch, Playland Plunge, Double Shot, Catch a Wave, Starship 2000, Thunderbolt, Wipeout, Go Carts, Family Flyer Roller Coaster, Auto Scooter Bumper Cars, and Sky Skater as well as Midway buildings dating from the 30s, which hold game concessions, the House of Mirrors and the Zombie Castle ride.
By WPCNR count this would leave the Dragon Coaster, Kiddieland, the Merry-go-Round, the Steeplechase, the Ferris wheel. Playland loses much (about half of the present amusements) of its charm and old-time feel for just another park.
One of the statements in the video is Sustainable Playland vision gives you more park, less paving. Exactly.
It also loses a great deal of parking capacity (about 50%). So, how are you going to sustain the clamor for beach and amusement on those 90 degree days when you cannot handle the parking? Remember parking was all the way outside of Playland and down Playland Parkway on those sweltering days two summers ago. The parking plan is actually seeing less people using the park, perhaps better "heeled" with fatter wallets.
Another annoyance is the county high admission price which is anything but family friendly. Having just seen the latest Sustainable Playland video on their website, I wonder about statements that say this will bring the family back to the park. Well if it did not cost over $30 bucks plus parking per rider in the family, you might not have that problem. Secondly, the new mission is to make the park more usable all year round, replacing half the park with a field house and play fields. Plus, upscale concessions.
"Message" statements appear in the video about making the park more attractive to Westchester residents for which it is intended.
To wit:
"I saw an opportunity that even back in the laste '70s, Playland wasn't what it originally was, certainly, and it wasn't serving the recreational needs of Westchester County."
"We looked at an expanded ice rink. We looked at bringing new food facilities with higher quality food facilities. We looked at bringing the idea of indoor and outdoor fields to Westchester County, which is in great need of those fields.We looked at the idea of amusements and where the amusement business is going and could an amusement park that was focused on family rides, as opposed to the big thrill rides thrive, and in all cases that the elements that were very thoughtfully put together really have demand in the market, we feel are both market-supportable and more importantly financially sustainable."
"The (new) sources of revenue includes sponsorships, public event revenues involving private sector companies, concession revenues enhanced way beyond what the numbers were before."
"We plan on investing several million dollars to bring this park back. The truth is, it actually includes eliminating a small portion (14 rides,Midway, funhouses)of some of the ride attractions."
"It's a fantastic business (Field House) if you find the right location. You really need the demand and it's possibly one of the best areas in the country to build something (indoor fields)because there's so much demand around here (for fields). (waving at parking lot),if we put it up right over there which is the plan, it won't be much different for any of the (Rye) residents over there.So that's kind of exciting too. It is an empty parking lot expecially at this time of year so it's exciting to sort of have year-round use for this facility."
"There are some folks talking about investing $13-14 Million in one element of this plan. The overall investment will be about 33-1/2 Million dollars. When people are willing to put up significant dollars that's a real validation of the plan."
"The input of the community is what is making this such a great place."
"This is the kind of park that for decades,is going to be relevant to Westchester residents. But it's also sustainable in a sense that it is going to be the right thing for the environment at this location."
"What I think is important (about the plan)to recapture and preserve is the original elegance and original continuity the park originally had."
"Sustainable Playland is poised to bring the families back to Rye Playland."
"It's time really for Playland to be rethought. It's time for it to become a better neighbor. It's time for it to be a better integration into the way the county needs to use this property for recreation."
"We've established a broad base of support both at the bottom level with the rank and file people, the users, to the senior level with some of the people of heads of businesses, heads of government, and localities that we have here to be able to come together and set their differences aside and actually think about what is in the best interests of the people in the county of Westchester."
This oblique attitude subtlely projected by these quotes has an uncomfortable feel to it to me.
You see this video first on the Sustainable Playland website, and it gives to me the feeling that somehow Playland is now attracting the wrong kind of crowds: perhaps too poor, not from Westchester, and perhaps not white enough, not rich enough. That the park is rundown.Its elegance has been lost.
Wait..and tearing down half the rides and midway is going to preserve that elegance?
It is not.
This is a myth that the park is rundown.
Despite the $30 and up per person to use the rides, the park still attracts families of all walks of life, creeds, and ethnic persuation. The crowds are very diverse. Playland despite the county absurdity of worrying about it losing $3 million a year, (which the county burns regularly at the blink of an eye)is a place so many people love.
They love it because it is safe. It is people-friendly (or used to be before the county started viewing it as suddenly not an asset). Everybody smiles all day at Playland unless it is raining. People black, white, tan, all get along.
Does snooty Westchester not like that?
When these rides go for good, and this whole Sustainable concept is created, (and it is not going to happen all at once--who wants to go to a perpetual construction site? Will they allow soccer games on the great lawn? Will they have an affordable ice casino?
Will admission to the park be reasonable? Will the restaurants be Tikki Bar and Seaside Johnny expensive, or Nathan's Famous? That is the question.
This may be a sophisticated park when it finishes up, but Playland instead of the living, breathing human park of memories will become a curiosity with no soul.
Why kill the Midway? The clang of bells, the colorful stuffed animals to win, the politically incorrect shooting and hoop-tossing, win-a-bear-for-your-date galleries, that is history, excitement--that makes childrens' eyes widen...the sights the sounds you never forget it or fail to enjoy it.
Kill the midway and you take the soundtrack out of Playland. Playland involves you. This outfit wants to turn it into a passive park that appeals to the sophisticated, the wealthy and the white, and make a lot of money doing it.
Robert Moses, to his everlasting credit, opened up beaches to the poor and introduced the concept that the masses needed recreation that was reasonable. Now, that idea is passe'.
Now parks have to be places where chablis and brie can be consumed in quiet out of a hamper without the cacophony of real life, real people.
I like what was done by the persons connected to the Highland who are in this group, but let's face it -- the High Line in Manhattan is passive. It is for strolling. Same with Central Park.
And the Zombie Castle, the Hall of Mirrors -- they never fail to amuse your kids or your date. But, no they are unsophisticated the swells say.
Financing behind Sustainable Playland has not been made public. (In the news conference completed yesterday, investments by other Sustainable Playland partners were announced.)
A call from WPCNR to Sustainable Playland spokesfirm, Thompson & Bender to ascertain how Sustainable Playland is doing raising the millions of dollars they promise to pay the county for their first year of their lease, was not responded to.
Sustainable Playland also has not commented at all or made any public effort to deal with the cleanup of Playland, due to open May 11. That is a blunder on their part from a public relations standpoint. Why do doublework? If the County is going to fix up the ice casino, why do it, if Sustainable Playland is going to redesign the interior. Sustainable Playland should ante up in this time of crisis, don't you think? They should show us their "fund balance."
Playland Boardwalk and fishing pier and ice casino appear to have been untouched by county worker hands since the big storm and look much the same as they did in November. Five and a half months of good work time have been wasted by county inability to get moving on the repairs due to bureaucratic bickering between the legislators and the County Executive. It seems to this reporter that the county is trying to kill this park for good.
A press release Wednesday afternoon from a group opposed to Sustainable Playland takeover of the park, which will essentially based on the amazing number of rides they are going to remove that have long been part of park lore, notes:
An internet petition against Westchester County’s chosen future operator of Playland Park, Sustainable Playland Incorporated (“SPI”) removing rides and reducing the size of the amusement park continues to grow and gain support. To date, the electronic petition, located at Change.org (http://www.change.org/petitions/save-playland-amusement-park) has received over 2000 signatures, at least 740 of which are from Westchester County residents.
Most of the remaining signatories are tri-state area inhabitants or people with local ties to Westchester that currently use the amusement park. Many comments by the signatories are left publically accessible on the petition website. Comments state that as users of the current amusement park, the signatories are not apt to travel to Playland to spend money at a reduced amusement park combined with more locally appealing amenities such as the ball fields and the great lawn proposed within SPI’s plan.
SPI, who announced further details of a contract with the Westchester County Executive to take over management of the park, seeks to remove 30% of the amusement rides and approximately 50% of the amusement park area to create passive parkland and green space. Based on the presentation of SPI’s plan (http://westchesterlegislators.com/pdf/PlaylandPresentationSustainable_Playland.pdf)
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A Night In The Heights! A Day in the Barrio! Where Everyone Knows Your Name.
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WPCNR ON THE AISLE. Theatrical Review by John F. Bailey. February 25, 2013 UPDATED FEBRUARY 28, 2013:
In the Heights. The in-your-face, infatuating, indefatigable, intense celebration of life on the edge in the barrio that took over Broadway in 2008, winning four Tonys , nine Drama Desk Nominations, has taken over Westchester Broadway Theatre energizing a stunned audience with non-stop rhythms, overflowing fiery emotions and relentlessly appealing cast. You want young talent winning your heart this is your baby!
After its first two weeks, Westchester Broadway Theatre has announced today all shows have been sold out, and the run of In The Heights has been extended three weeks, through April 7
From the most creative set WBT has seen in years that gets 182nd Street-ambience absolutely right to the seductive body-swaying rhythms of this most original show, Mr. and Mrs. Westchester should be prepared for a relentless evening of young and spirited performers giving their all.
Note: EXTENDED!
The fans and critics have spoken! The Standing Ovation Studio presentation of In the Heights sold-out 35 performances in record time. WBT announced Thursday that 17 new performances have been added to the shows schedule. If you missed the opportunity to purchase tickets last time, this is your chance to see this performance. The show now runs Through April 7, 2013. Special Prices for this Show ONLY!
call the box office at 914-592-2222.
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Playland Repairs Still Being analyzed by County. Will Repair Before Turning Over
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WPCNR COUNTY-CLARION LEDGER. November 20, 1012:
County spokesperson, Donna Green, confirmed to WPCNR that the county would be undertaking and paying for repairs to the Playland boardwalk and ice casino at county expense before the county turns over Playland to Sustainable Playland.
The county estimated $12 Million of damage was done to the 1929-built amusement park,
including $6.3 million to the Boardwalks and fishing pier and $4.6 million for the Ice Casino Roof. Ms. Green, in a statement, said the county is still in the process of analyzing the damage. She could not put a timetable how long it would take to repair the park for an eventual opening in the spring:
"John, we don't have a specific time frame (for repairs) yet, as we are still evaluating what needs to be done. I confirmed that we do not await the FEMA money, but there is a process that requires a capital project and approval of capital funding -- and then of course we have the process of selecting contractors and then the actual work."
The Playland Ice Casino is now closed, forcing many figure skating instructors and hockey teams that use the ice to scramble for ice time elsewhere in the county.
Greene said the county expects FEMA to reimburse about 75% of the total $25 Million in damage done to county parks and the $50 Million damage inflicted by Hurricane Sandy on county property (including the parks)
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TRADITION CONTINUES FIDDLER PEDDLES TIMELESS TRUTHS ARTFULLY! LAUGHS,SCHMALTZ
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WPCNR ON THE AISLE. Theatrical Review by John F. Bailey. October 13, 2012:
The beginning moment: the exotic Fiddler,the magical, agile, light-on-his-feet,engaging-on-the-bow Andrew Mayer,(right) with the likable, laughable, lovable, Bill Nolte (left) bring Zero Mostel and Fiddler to life.
As Nolte sung Tradition beginning Broadway’s 9-Tony award-winning musical , Fiddler on the Roof, at Westchester Broadway Theatre Opening Night, the classic cast the spell it always has from first note to last whether you are seeing it for the first time or many times.
Bill Nolte as Tevye in the Zero Mostel role, gives an opening explanation of Tradition starting you off and never lets you stop living and enjoying, suffering, and experiencing life for all its moments. (Photos Courtesy, Westchester Broadway Theatre by John Vechiolla)
Set in a little Russian village in 1905 (that could be 2005) portraying the conflict of one generation to the next and the sufferings of all oppressed people, “Fiddler” so connects with its audience, it made Zero Mostel a star. “Fiddler” musically preserves the struggle of life from a Jewish perspective. The "Fiddler" songs in just the first act still touch every parent’s heart.
To Life!
The Inn scene where Nolte as Teyve and the men of the village sing To Life (L’Chaim) to celebrate Teyve’s assenting to give his daughter Tzeitel’s hand in marriage to the much-older butcher (Eric Johnson) though Tzeitel has her cap set for the tailor in the village, who does not have the courage to ask Teyve for her hand. Mr. Johnson and Nolte make give joyous meaning to the toast L’chaim. This is easily the happiest number in a show that has all that life has in store, drudgery, joy, hope, achievement, heartbreak, courage, it is all here in Fiddler.
Bill Nolte plays Tevye as Zero Mostel played him, a swaggering,bigger-than-life, everyman character whose masterly performance nobly recalls Mr. Mostel’s master-timing of jokes, deadpans, eyebrow rolls and asides and evokes the sense of bewilderment and pain, ability to muddle and endure the inevitable pain of life.
Guests at the wedding of Tevye’s daughter reflect in Sunrise, Sunset on how daughters (and sons) leave to start lives on their own. There’s Nolte’s whimsical tour de force delivering If I were a Rich Man,
To set the scene for you: it is 1905 Russia where Jews are afflicted by a labor movement, strikes and resentment gripping all of Russia that lead to pogroms against Jewish towns and enclaves by the Czar and Nationalist groups. Jewish groups had suffered from the Czar’s May Laws restricting Jews from immigrating to Russia, when Jewish labor groups were blamed for the assassination of Czar Alexander II in 1882.
In May 1882, the Czar introduced temporary regulations called May Laws lasting 30 years until 1917. Policies of discrimination, limits on the number of Jews allowed to obtain education and professions caused widespread poverty and mass emigration. In 1886, Jews were expelled from Kiev. Communities of Jews were removed by Czarist forces and nationalist groups alike. “Fiddler” plays out in this atmosphere of persecution and ethnic cleansing of that time.
Tzeitel (Rachel Prather, left) starts a trend, with Teyve’s other two daughters, Hodel (Sarah Rolleston)(center) and Chava (Donna Glaus)(right each falling in love with a radical young man and a young man not of the Jewish faith. Here the three sisters sing Matchmaker, Matchmaker in Act One.All three deliver their integral cameo romances with believable pathos and longing -- all the emotions love is.
Tevye convinces his wife, Golde (played with comic seriousness by Emily Zacharias,left, above) that Grandma Tzeitel came to him in a dream predicting that Tzeitel should marry the tailor.The dream sequence wonderfully lit by Andrew Gmoser, is a farce of husbandly storytelling. Does Golde buy it? What do you think? Nolte and Zacharias also sing a touching duet in Act II, Do You Love Me? I enjoyed this amusing yet poignant portrayal of mystery of marriage.
The musical presents a history lesson of the faith and traditions of the Jewish people, as Teyve works through his daughter Tzeitel (wanting to marry Motel a poor tailor, and not the butcher that matchmaker Yente (Terry Palasz) has selected for her. Tzeitel played with earnest, believable longing by Rachel Prather (left), prevails on him to give his permission. She sings a marvelous, touching ode to young love conquering all with Motel, her tailor, Miracle of Miracles.
Boza and Prather make a winning couple-- Boza as Motel is the picture of the infatuated desperate young man, and Prather the lovestruck, determined spirit of youth fighting tradition. They make a great couple.
Act One concludes with the joyous wedding scene featuring the bottle dance…only to end in chaos, as czarist authorities disrupt the ceremony boding troubles to come – that unfold in the second act.
The second act ends with the uplifting spirit of people everywhere who endure and survive. An outstanding song is song by Sarah Rolleston's Hodel. She breaks your heart as she sings of her new life with the young man she has chosen to follow taking her Far From the Home I Love.
A viewer who saw the second night performance told this critic, she felt it was the best production she had ever seen at Westchester Broadway Theatre.
Fiddler plays until November 25, then returns to WBT, January 5. For more information on tickets call (914) 592-2222, or go to www.broadwaytheatre.com.
To Fiddler!
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Mayhem, fun, dysfunction, and genius at the White Plains Performing Arts Center—
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WPCNR STAGE DOOR. Theatrical Review by Renee Marks Cohen October 6, 2012:
Don’t miss the White Plains Performing Arts Center production of “August: Osage County,” Tracy Letts’s Pulitzer Prize and Tony award winner (Best Play, and four more). “August” is the opener for the WPPAC’s special 10th anniversary season; this is the venue for the New York regional premier of the play.
A Taste of “August”
From left, the actors are Amanda Yachechak, Daniel Mian, Mark Lanham, Peter McClung, Derek Robert Smith, Laura Cable, Robin Lilly, and Suzy Kimball. Peter McClung as Uncle Charlie and Amanda Yachechak as the Native American housekeeper are extremely strong in their portrayal of wise individuals navigating amidst hellish chaos. Uncle Charlie protects his son, a late bloomer, from the verbal viciousness of others. The housekeeper is meditatively focused on doing her job with kindness.
Photo, Courtesy White Plains Performing Arts Center by Kathy Davisson.
All is not OK in a hot hot northern Oklahoma August. The Weston family is driven together to await the return of a missing father, who is a poet, professor, and openly alcoholic. The matriarch, Violet, is a long-time pill-popper. Three daughters, an aunt, significant others, a niece, and a household helper complete the Weston dance of dysfunction.
This is a semi-gothic household where the window shades are taped shut, because day and night do not matter. The scenery—three levels—is superb, as is, I stress, each and every cast member.
Will you judge this family’s dysfunction against your own experience? You will rivet your focus on scenes where the family sits at the dining room table, in ensembles of entropy. All the scenes are a funny unraveling of secrets and lies.
Congratulations to the cast and to Jeremy Quinn, who is the Director and WPPAC’s Producing Artistic Director.
When “August” opened in New York in 2007, the New York Times called it “the most exciting new American play Broadway has seen in years.” Variety said it was “darkly delicious and ghastly.” Playwright
Tracy Letts’s father, Dennis, played the role of the patriarch in the original Chicago cast.
“August” is on stage at the White Plains Performing Arts Center. 8 p.m. Oct. 5-6 and 12-13; 2 p.m. Oct. 7 and 14. To order tickets call 914 328-1600; or go online at www.wppac.com or visit the Box Office at 11 City Place, City Center, 3rd floor, White Plains. Recommended for those ages 16 and older.
Yes, there will be a movie soon, produced by George Clooney and The Weinstein Company. Visit http://vimeo.com/12892186 to see and hear Howard Starks reading his poem “August: Osage County,” which inspired the play’s title.
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Paramount Center for the Arts Suspends Operations
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WPCNR STAGE DOOR. From the Paramount. October 4, 2012:
The Old Paramount, Peekskill, New York
The Board of The Paramount Center for the Arts in Peekskill, NY announced today that the non-profit arts institution is temporarily suspending operations while it explores opportunities to reorganize. The decision to suspend operations was made at a Board Executive Committee Meeting held Tuesday night.
"The Paramount apologizes for the inconvenience we have caused to our members, all those who purchased tickets for shows that will have to be cancelled or delayed and to the friends of the Paramount who have been supportive of our efforts to provide a diverse menu of high quality performances and visual arts exhibits over the years. We ask for all of our patrons and supportes to bear with us as we dedicate our efforts towards reemerging as one of the premier performance venues in the Hudson Valley in the not too distant future."
Updated information will be provided on the Paramount website at www.paramountcenter.org as it becomes available.
Less than a month ago, the Paramount Board said it needed $300,000 in new funding to continue operations.
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Downtown Music at Grace Launches 25th Season
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WPCNR MUSIC. From Paul Bergins of Downtown Music at Grace. September 24, 2012:
The popular Downtown Music series at historic Grace Episcopal Church in White Plains will begin its 25th season of concerts at 12:10 p.m. on Wednesday, October 3, with a program featuring flutist Harold Jones and pianists Svetlana Gorokhovich and Irena Portenko playing music Debussy, Ravel and Prokofiev.
Its 25th Anniversary Concerto Celebration planned for Sunday, April 7, will bring together the young prize winners of the New York International Piano Competition with members of the Metropolitan Opera Orchestra to perform concertos of Mozart and Beethoven.
Yen Yu Chen and Kate Liu, who will be soloists for the concertos, are both students at the Curtis Institute in Philadelphia. Already winning competitions and making a name for themselves, Downtown Music is delighted to introduce them to the New York area.
October 3 is the opening event in a series which offers world-class music each Wednesday at noon, several Thursday evening Jazz concerts, and five Sunday afternoon musical events. The Wednesday and Thursday programs are free; tickets for the Sunday events range from $15-$25.
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JOHN VORPERIAN Goes Back in Time to Baseball's Federal League on BEYOND THE GAME
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WPCNR PROGRAM NOTES. September 21, 2012:
On the tonight edition of BEYOND THE GAME, WPCM-TV CHANNEL 76 AND CHANNEL 45, Sportscaster John Vorperian interviews Daniel Levitt on his book about the Federal League of 1914-15-- the only compeition major league baseball ever had. It was the league that gave us Wrigley Field (home of the Chicago Whales), the Brooklyn Tip Tops, and exposed baseball as a business.
Johnny discusses the historical influence of the Federal League still having impact today. The program may be seen at 9 P.M. on Channels 45 and 76 and www.wpcommunitymedia.org. and on Tuesday at 10 P.M.
Johnny V, left with author Dan Leavitt. They will be discussing Mr. Leavitt's book, THE BATTLE THAT FORGED MODERN BASEBALL this evening.
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The 'GLORY' of Paris! CAN-CAN Comes In Takes You for a Spin. Champagne 4 ALL
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WPCNR Front Row Center. Theatrical Review by John F. Bailey. September 1,2012:
The First Lady of the Westchester Broadway Theatre, Glory Crampton, (Designated Supreme Diva of the House of Stutler and Funking), the international show biz recording artist, united with the ultimate composer of the Broadway stage --Cole Porter last night at WBT’s Opening Night of Can-Can – Porter’s second longest running Broadway Show .
Glory Crampton, statuesque soprano, is a devlish angel as La Mome Pistache, with dashing baritone Tony Lawson as her conquest had the enthusiastic audience thoroughly enthralled in Mr. Porter’s 1890s tribute to the Paris of our dreams. Can-Can opened to 3 minutes of bravos at WBT Friday night Photographs Courtesy Westchester Broadway Theatre by John Vecchiolla
Ms. Crampton’s enchanting all-eyes-on-her stage presence, blends with just-so-right delivery of emotion, feeling and snappy lines, with believable passion with Mr. Lawson (most realistic kisses I have seen on stage in years by both) in the love story of a nightclub owner and a straitlaced judge of the Paris court brings Cole Porter and bookman Abe Burrows’ daffy depiction of the naughty Paris of legend smashingly to life.
No wonder we know our upright judge has no chance. Their improbable love story is made naturally possible, sold, hook, line and heart by the stars’ chemistry. Ms. Crampton’s glorious sultry performance of Porter’s immortal, I love Paris in Act II is not to be missed!
Her wistful, pleasure-with every note lush-soaring-to-the-stars refrain of “I love Paris every moment…every moment of the year” is all that love is! It’s the highlight of a show with many highlights.
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Posted by jfbailey on Saturday, September 01 @ 12:16:12 EDT
Read More... | 10208 bytes more | Score: 0
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Peekskill Paramount Suffers Severe Drop in Funding--Needs $300,000 Cash Infusion
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WPCNR STAGE DOOR. Special to WPCNR From the Peekskill Paramount Theatre Board of Directors. August 15, 2012:
Due to cutbacks and the loss of traditional funding sources for non-profit institutions like the Paramount Center for the Arts (PCA), we are in a position that requires a candid, direct and honest plea to those who over the years have enjoyed what has been presented at the historic Paramount Theatre in Peekskill.
The Paramount budget has been cut to every extent possible zeroing in only on those expenses that are directly necessary for the organization to carry out its core mission. In short, more contributed revenue is needed now if we are to continue to provide the Paramount experiences you love.
The Old Paramount, Peekskill, N.Y.
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White Plains 'Stork Club' Returns -- the New City Limits is Unlimited!
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WPCNR BOULEVARDIER. By John F. Bailey. August 14, 2012:
City Limits is back!
I had lunch today at the new City Limits Diner-Grill-Bar Bakery , "CLDGBB" the new Livanos Family makeover of the former City Limits Diner on the outskirts of town with my news compadre, Peter Katz,(above) and this diner aficianado delivers this eyewitness report on another unique Livanos' entertainment creation.
I had my fears when the family announced they were giving my beloved City Limits art deco news biz hangout a renovation. But I went in today with an open mind and mouth (my mouth is always open, much to manys' chagrin).
It's not too far out on the highway. You park your car free out in the open and you walk inside!
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Westchester's Empire Casino in County Generates More Tax $$ Than Las Vegas and A
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WPCNR QUILL & EYESHADE. From Westchester County's Empire City Casino. (Edited) August 8, 2012
Legalizing "anything goes" gambling houses across the state could ease New York revenue woes considerably, according figures released by the Empire City Casino this week.
The New York Gaming Association is a bigger winner with a bigger handle than Las Vegas and Atlantic City combined without the big time games Nevada and New Jersey have.
NYGA members generated $620 million in tax revenue for New York during the first six months of 2012. By comparison, the Las Vegas Strip and Atlantic City, despite having full-fledged casinos and more combined gaming activity than New York, only generated $329 million for Nevada and New Jersey. That’s approximately $291 million fewer dollars than New York Gaming Association members.
Westchester County's Casino is doing very well, too. The Yonkers-based casino at Yonkers Raceway generates one third of all education dollars raised through New York State gaming in July.
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Ol’Time Music Man Charms with Boosterism, Sentimentality and Victoria Lauzun
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WPCNR ON THE AISLE. Theatrical Review by John F. Bailey. July 7,2012:
You're watching the ingeniously-conceived Rock Island passenger car rattle and chug, carrying fast-talking traveling salesmen jittering with every clack across old-time turn-of-the-century America to River City on the Westchester Broadway Theatre stage.
Scott Bierko as The Music Man.
Photos by Eli Silverman, Courtesy The Family Theatre Company
It's the Family Theatre Company's traditional non-Equity production of Meredith Willson’s 1957 MUSIC MAN, as the fantastic living rail car "sshhhhes, hisses, and huffs" to a rollicking start with fast-talking Charlie Cowell and his salesmen conversation matching railcar rhythm you know it's going to be a great night:
Never heard of any salesman Hill Now he dosen't know the territory Dosen't know the territory?!? What’s the fellow’s line? Never worries bout his line Never worries bout his line?!? Or a doggone thing. He's just a bang beat, bell ringing, Big haul, great go, neck or nothin, rip roarin, every time a bull's eye salesman. Thats Professor Harold Hill, Harold Hill What's the fellows line? Whats his line? He's a fake, and he doesn't know the territory!
The full-house on opening night Friday shifted into high spirits by the signature song of the overture, 76 Trombones, then knew they were in for a rollicking evening. They reconnected with an America long gone. Harold Hill played by Yorktown Heights music teacher, Scott Bierko, is coming to River City to start up a band. Winner of 5 Tonys in 1957, including Best Musical, and a Grammy for Best Original Cast Album, The Music Man is pulling into the WBT for a run through August 29.
Victoria Lauzun, (far right) American Musical and Dramatical Academy graduate, wins admirers at first-sung words, casting her spell, her glittering luxurious soprano singing Goodnight My Someone. When she sings, everyone in the audience listens, transported. To borrow from Byron, to describe this ingenue's voice, “she sings in beauty like the night.” Left to right, the "Board of Education Quartet,": FaTye, Martin Bonventre, Jimmy Tate, Brian Conlin; Brandon Singel as Winthrop,Lexi Staub as Amaryllis, Bierko and Victoria Lauzun.
Lauzun plays librarian Marion with engaging primness, intelligence and propriety, suspicioning the charming Hill (Bierko) is not what he claims to be. Will she turn him in? Will she spoil her dreams, her townspeople’s hopes, the stuff dreams are made of? Not in this musical! At the very end, theatre lovers, the heart of this old-time America saves the day.
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